Getting to know the video editor with legendary color control could change how you grade colors forever
When Blackmagic Design acquired the assets of the legendary but financially troubled post-production company da Vinci Systems in 2009, it took over stewardship of Resolve, a color-editing tool with roots going back to the videotape-grading tools the original company developed in the 1980s. The company stepped up the R&D budget for the program, and... Read more
Is this the only plug-in you will ever need for editing video?
Red Giant’s Magic Bullet Suite 13 includes seven separate plug-ins designed specifically to let editors manipulate, color, style, refine and polish videos, and is available for $899 for the full version. Used by over 100,000 film editors worldwide since its initial release in 2001, Magic Bullet Suite 13 builds on the historic plug-in, adding several... Read more
In the not-so-distant past, editing for film and television was a well-established practice, but in our modern tech-savvy world, how exactly has the process changed?
By Dan Brockett
The role of editor has changed drastically from days of old, where professionals toiled in tandem to shape and carve out the final product. The ingest process would convert footage into an edit-friendly, low-res format that was logged by an assistant editor before an off-line editor shaped storyline, culminating in an on-line edit to conform to all... Read more
Boris Continuum Complete (BCC) is a comprehensive set of over 230 VFX plug-ins designed to complement postproduction tasks—from editing and effects, to graphics and finishing.
By Justin Sucara
Boris Continuum Complete (BCC) is a comprehensive set of over 230 VFX plug-ins designed to complement postproduction tasks—from editing and effects, to graphics and finishing. Prior to sampling the tools in the new BCC 10 release, I honestly was a bit skeptical; I’ve never used Boris plug-ins, and the company’s website and branding don’t match... Read more
Wipster recently raised $1.2 million in funding for its new cloud-based, collaborative video review and approval platform
By Neil Matsumoto
Good films usually share one thing in common – good communication. In today’s scattered production and post workflows in which many hands are “stirring the pot”, it can get complicated. Although collaborative editing is picking up steam among professional editors, a common collaborative review process is more difficult, especially if your collaborators... Read more
Working with Final Cut Pro X, Noise Industries’ FxFactory Pro will help you create your next blockbuster
By Neil Matsumoto
In just a short time, Final Cut Pro X has come a long way, with firmware updates and third-party software fixing many of FCP X’s initial shortcomings. Although Final Cut Pro X still continues to have many detractors in the professional community, there are aspects and features of the program, such as the Magnetic Timeline, that are actually more... Read more
Imagineer Systems’ mocha Pro v3.1 is a powerful finishing application
By Michael Guncheon
Tracking has become an important tool, not only for effects work, but also for advanced color grading, as creators desire more control over the look of a scene. Imagineer Systems has been on the forefront of advancements in tracking software—they recently were awarded an Academy Award® for their planar tracker mocha—and I had the opportunity to... Read more
Utilizing the audio tools bundled in your NLE system
By Dan Brockett
Q I’m editing a couple of interviews, and there are some issues with air-conditioning noise and clothing noise due to a poor job in rigging a lavaliere mic. What audio tools do you recommend to fix the sound issues? Roy V. Via e-mail
“Fixing it in post” is an idiom that’s often mentioned on a set when sound or picture problems... Read more