Built For Speed

Apple’s Mac Pro handles 4K streams without a whisper

In the February 2014 issue of HDVideoPro, we did a story on 4K post. The consensus was that 4K is currently accessible for shooters, but on the post side, we’re not up to speed in delivering a true 4K workflow. The main problem has been computer hardware, which couldn’t process huge 4K data streams—yet. In the past few years, postproduction... Read more

Real-Time Post

Now only $999, Media Composer 7 is one of the “Big A’s,” but can a non-Avid user easily adapt to the NLE?

With the recent price drop of Avid Media Composer (to $999) and the recent update to version 7, if there was ever a time for independent filmmakers to give this stalwart NLE a second (or even first) look, this is it. Don’t believe what you may have heard online about MC being "old" software with an ancient interface designed decades... Read more

Posting 4K

Although 4K is quickly becoming the norm for capture, the post world is playing catch-up

How many of you remember the DALSA Origin camera? Announced in 2003 and released in 2006, the 4K digital cinema camera, which resembled a mini-refrigerator, was going to take over professional production. But because of its size and unyielding workflow due to its monster-sized 16-bit 4K RAW files, the camera wasn’t accessible to anyone, including... Read more
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The Digital Imaging Technician

Six years in the making, D.I.T.s have become key components of an ever-changing set

If there has been one position on the camera crew that should get the prize for fastest-changing, it’s the digital imaging technician, also known as the D.I.T. Six years ago, the position didn’t even exist, at least not in its current state, and certainly not as a union career option under the International Cinematographers Guild banner.... Read more

DSLR Post

A variety of options to import, edit, grade and export your files

In the beginning, the postproduction workflow for DSLR production was simple. Essentially, the H.264 codec (still used by most DSLR cameras today) had to be transcoded to an intermediate codec like Apple ProRes or Avid DNxHD prior to editing. Once in ProRes or DNxHD, it was easy to take those files to an NLE and begin working. Although the process worked,... Read more

Heavy Lifting

ProMAX workstations offer editors and VFX artists the power and speed to accomplish complex postproduction tasks

Coined by Intel cofounder Gordon Moore, Moore’s law is an observation that, over the history of computer hardware, chip performance will double every 18 months or so. Although the claim may sound outrageous (imagine 50 years from now), it’s indeed a reality. For example, approximately 15 years ago while editing my first feature, I had to... Read more

At A Glance: Blazing Speeds

G-Technology’s G-RAID with Thunderbolt

I’ve been editing with G-RAIDs from G-Technology for quite a few years now. They have always represented good value for the money, but the models I’ve used in the past were pretty much relegated to USB and FireWire 800 interface models. Enter Thunderbolt, the new Intel interface that Apple began adding to their laptops back in early 2011.... Read more

Members Only

Adobe’s Creative Cloud apps offer an abundance of new features, but is CC for you?

For the past several years, Adobe has been firing on all cylinders. As we all know, Apple’s release of Final Cut Pro X in 2011 has struggled in the pro marketplace, as hordes of editors switched to either Adobe CS or Avid Media Composer. And last year Adobe launched Creative Cloud, which has been a major success, with more than a half-million... Read more

Drag-And-Drop Symphony

Working with Final Cut Pro X, Noise Industries’ FxFactory Pro will help you create your next blockbuster

In just a short time, Final Cut Pro X has come a long way, with firmware updates and third-party software fixing many of FCP X’s initial shortcomings. Although Final Cut Pro X still continues to have many detractors in the professional community, there are aspects and features of the program, such as the Magnetic Timeline, that are actually more... Read more

Planar Tracking Tool

Imagineer Systems’ mocha Pro v3.1 is a powerful finishing application

Tracking has become an important tool, not only for effects work, but also for advanced color grading, as creators desire more control over the look of a scene. Imagineer Systems has been on the forefront of advancements in tracking software—they recently were awarded an Academy Award® for their planar tracker mocha—and I had the opportunity to... Read more