The Soft Touch
Cinematographers and gaffers discuss the gear and technique in creating soft light

Cinematographers and gaffers discuss the gear and technique in creating soft light
With the box office success of 3D and the rollout of 3D TV to follow, what are your options in post?
DP Shane Hurlbut, ASC’s new rental company provides DSLR gear to the professional filmmaking community
With the season finale of FOX TV’s House shot entirely with Canon EOS 5D Mark IIs, will more professional productions follow suit?
VFX wizards create eye-popping 3-D effects for Journey to the Center of the Earth 3D and Missy Elliott’s Ching-A-Ling video
Shane Hurlbut, ASC, and his Elite Team lead the HD-DSLR revolution into battle
Three cinematographers working in high def reveal lighting techniques for multi-camera sitcoms, documentaries and feature films
Randall Dark jumps into the 3D deep end with Panasonic’s new AG-3DA1
Finding Your focus
With 3D currently in the mainstream, is it now possible to create your own 3D independent movie?
Brothers Jean-Jacques and François Mantello shoot underwater 3D IMAX for OceanWorld 3D
Director James Cameron’s long-awaited digital 3D epic raises the technological bar in integrating live action and computer-generated characters