August 2012

After processing, data is transferred to the light meter where up to three camera profiles can be stored.

EXTENDED COVERAGE The Angénieux Optimo 19.5-94 and 28-340 zooms offer image coverage of up to 31.4mm in diagonal, which makes them ideal as a choice for working with large-format-sensor cameras, S35 film, full-frame 5K with the RED Epic and more. The Optimo 19.5-94 4.8x zoom has a fast T2.6 aperture with a 329º focus rotation and more than... Read more

June 2012

Canon is welcoming new family members to the Cinema EOS line with two cameras capable of 4096×2160 resolution and four lenses.

CANON GOES 4K Canon is welcoming new family members to the Cinema EOS line with two cameras capable of 4096×2160 resolution and four lenses. Building on Canon’s first camera in the Cinema EOS system, the C300, the Cinema EOS C500/C500 PL is planned as a professional camcorder and still shooter hybrid solution with 4K RAW capture and uncompressed... Read more

April 2012

The user interface is intuitive with swipe gestures to convert units and timecode. For RED camera users, stereo and HDRx options can be calculated independently.

NIKON D800 With a massive 36.3-megapixel FX-full-frame-format CMOS sensor, the Nikon D800 adds a healthy set of video capabilities to its popular predecessor the D700 while offering a similar set of video features as Nikon’s flagship D4 DSLR at roughly half the retail price. With frame rates of 1080/30p/24p and 720/60p/30p, this is the... Read more

Releases December 2011

A relay mode provides uninterrupted recording, with simultaneous recording to both memory cards for instant backup or a client copy, and a new Pre Rec retro cache feature continuously records and stores up to five seconds of footage in cache memory to prevent missed shots.

SINGE-CAMERA 3D With modular components, interchangeable lenses and remote-control operation over interaxial distance and convergence, the Meduza MK1 enables filmmakers to capture single-system 3D in a variety of modes. Eliminating the need for complicated mirror rigs with their gears, cables, cameras and lenses, the base camera unit weighs less than... Read more

October 2011

Designed to support payloads of up to 35 pounds, the Fusion FHR-35 connects to HDVRC studio robotics controllers or legislative system controllers through Ethernet.

This Article Features Photo Zoom PANASONIC INTRODUCES INTRA Offering the benefits of faster, file-based P2 HD workflows, the AG-HPX250 P2 camcorder is the first handheld camera from Panasonic to feature native 10-bit, 4:2:2, independent-frame, 1920×1080-resolution, AVC-Intra recording for high-quality compression and ease... Read more

August 2011

Bridging the gap between highly specific fast frame-rate cameras and all-in-one systems useful for more typical shooting

BUILT FOR SPEED Bridging the gap between highly specific fast frame-rate cameras and all-in-one systems useful for more typical shooting, the PS-CAM X35 from P+S Technik offers a standard working speed range of 24 fps to 60 fps through the direct HD-SDI output, while the slow- and fast-motion abilities of the camera also include continuously... Read more

June 2011

The TriCaster 850 EXTREME from NewTek offers a full onsite production board and 3D animation system in a compact unit.

June 2011
LIVE PRODUCTION CAPABILITIES The TriCaster 850 EXTREME from NewTek offers a full onsite production board and 3D animation system in a compact unit. The NewTek IsoCorder multitrack recording technology provides up to eight channels of recorded video from either inputs or outputs, with direct network support of any Apple AirPlay-enabled application or... Read more

April 2011

Ideal for ENG news, sports, documentaries, events and other location shoots, the JVC GY-HM750U ProHD compact shoulder-mount camcorder features native “ready-to-edit” HD and SD file-format recording.

Releases
JVS PROD7000 Ideal for ENG news, sports, documentaries, events and other location shoots, the JVC GY-HM750U ProHD compact shoulder-mount camcorder features native “ready-to-edit” HD and SD file-format recording. The camcorder’s recording formats are XDCAM EX files (.MP4) at 35, 25 and 19 Mb/s, which can be wrapped in .MOV files for native ingest... Read more

February 2011

With a 16.2-megapixel, 2,016-pixel RGB DX-format CMOS sensor that can capture in full 1080p HD, the Nikon D7000 DSLR offers a cost-effective video solution for videographers and photographers.

NIKON D7000 With a 16.2-megapixel, 2,016-pixel RGB DX-format CMOS sensor that can capture in full 1080p HD, the Nikon D7000 DSLR offers a cost-effective video solution for videographers and photographers. The 23.6×15.6mm sensor is larger than the chips found in most camcorders, and with the vast array of available Nikon lenses, the camera... Read more

December 2010

Designed as a versatile and high-performance solution for broadcasters, live-event productions, documentaries, rental companies and other video professionals, the shoulder-mount PMW-500 expands on the XDCAM line of tapeless acquisition technologies from Sony.

December 2010
SONY PMW-500 Designed as a versatile and high-performance solution for broadcasters, live-event productions, documentaries, rental companies and other video professionals, the shoulder-mount PMW-500 expands on the XDCAM line of tapeless acquisition technologies from Sony. The PMW-500 is equipped with three 2/3-inch Power HAD FX CCD image sensors that... Read more

April 2010

Circumventing the large-scale two-camera and mirrored setups and dual recorders of traditional 3D systems, the soon-to-be-released twin-lens Full HD 3D camcorder from Panasonic uses a single camera head with two lenses and a dual memory card recorder to capture high-definition, three-dimensional video.

April 2010
SINGLE-CAMERA STEREOSCOPIC Circumventing the large-scale two-camera and mirrored setups and dual recorders of traditional 3D systems, the soon-to-be-released twin-lens Full HD 3D camcorder from Panasonic uses a single camera head with two lenses and a dual memory card recorder to capture high-definition, three-dimensional video. The convergence point... Read more

February 2010

Bringing the highly efficient AVCHD codec to Sony’s line of professional camera offerings, the NXCAM family of camcorders offers a tapeless workflow to productions.

SONY PRO AVCHD Bringing the highly efficient AVCHD codec to Sony’s line of professional camera offerings, the NXCAM family of camcorders offers a tapeless workflow to productions. Featuring a Sony Exmor CMOS sensor with a ClearVid array, the first camera in the NXCAM series will deliver full 1920×1080 HD in both progressive and interlace, including... Read more
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