At A Glance: A Real Lighting Game Changer

ARRI introduces the rugged, yet lightweight SkyPanel S60 and S30, bringing ultrabright, high-quality LED lighting to the marketplace

By Jimmy Matlosz

For quite some time now, the LED lighting revolution has been quietly gaining steam. Many cinematographers and gaffers have been willing to test the latest technology over the years, but up until now, using LEDs mostly was relegated to specialty lighting. That all may have changed with ARRI’s new SkyPanel S60 and S30, a versatile family of compact... Read more

Retro 4K

The Panasonic AG-DVX200PJ features the world’s first 4/3 sensor with a fixed Leica lens capturing 4K up to 60p. But will a fixed-lens camcorder be a hit in the modern age?

By Simon Wakelin

Panasonic’s desire to offer the new handheld 4K AG-DVX200PJ with an integrated lens system may seem a step backward in HD evolution, at first glance, but a closer look reveals that the sleekly designed camcorder has merit for a variety of professional uses. Upon its release, the first question asked was probably the most obvious: Why no interchangeable-lens... Read more

The Future Of Mobile Storytelling

Google and The Mill team up to bring immersive cinema-quality filmmaking to mobile devices

By Dan Brockett

Filmmakers and visual storytellers have been attempting to bring virtual-reality narrative content to audiences for almost a decade, and during that time, the production challenges alone have been numerous and daunting. The ongoing quest remains the same: How can a 360º view of any narrative adventure be created without seeing camera equipment and... Read more

February 2016

Optimized for the wide-ranging needs of field work, the economical Canon XA35 and XA30 HD camcorders weigh only 2.6 pounds with battery

By The Editors

TWIN STARS Optimized for the wide-ranging needs of field work, the economical Canon XA35 and XA30 HD camcorders weigh only 2.6 pounds with battery, while also housing a 20x optical zoom, built-in WiFi, detachable handles and a new HD CMOS PRO imaging sensor with low-luminance noise of only +3 dB for working in minimal light. With 60p/24p in AVCHD at... Read more

At A Glance: Zoom F8

A multitrack field recorder for location sound that offers value-for-cost performance

By Dan Brockett

I was lucky enough to be invited to the West Coast introduction of the new Zoom F8, an 8-input, 10-track recorder capable of recording a stereo (or 2-track) mix, plus 8 isolated tracks. The F8 is the first product from Japanese audio company Zoom that’s designed to compete with industry-established offerings from high-end pro competitors such as Sound... Read more

Leica SL

The Leica SL-System is a sign of things to come from Leica AG—and perhaps the future of the DSLR form factor

By Jimmy Matlosz

The Leica SL-System taps into many production possibilities all at the same time, and once it’s in your hands, you’re torn on how you want to use it. While my intent was to fully review and test the camera’s video capabilities, I couldn’t resist what the SL offers in the stills format. Considering that Leica is a relative newcomer to the DSLR... Read more

Maxing Out With The ALEXA Mini

A compelling new option for filmmakers, the ALEXA Mini uses the same ALEV III sensor as all other ALEXA cameras

Text & Photography By Jimmy Matlosz

Since its rollout at NAB this year, the ALEXA Mini from ARRI has become one of the most sought-after cinema cameras on the market today. Word on the street is, “Have you seen the Mini?” or “Have you shot with the Mini?” For most cinematographers, the answer is no, and as orders are sent out to private buyers and rental houses, the ultimate question... Read more

The Sounds Of Chaos

Overcoming location audio challenges on the frontlines of production

By Dan Brockett

It’s no secret that location sound is challenging. While the other departments have their own unique obstacles to overcome, it seems that the production sound team is often tasked with capturing clear, dynamic and legible sound in noisy, chaotic situations that seem to make that assignment nearly impossible to complete. Speaking with location sound... Read more

Blackmagic Goes Minimalist

The diminutive Micro Studio Camera 4K houses innovative built-in features that make it especially appealing to live productions

By David Willis

Designed as an affordable multiple-setup camera that also offers large-sensor, cinematic capture with live production capabilities, the Micro Studio Camera 4K (MSC4K) from Blackmagic Design is an extremely versatile tool given its size, housing myriad options for reality television, sporting events, live performances, comedy stand-up, educational... Read more

In The Driver’s Seat

With groundbreaking new cameras, ARRI looks to dominate all sectors of the high-end production industry

By Neil Matsumoto

Along with Panavision, ARRI has been the gold standard in the production industry for decades, but the Munich-based company has had a much smoother transition to the digital age than their American rival. ARRI released the Arriflex D-20/21 in 2005, and although it wasn’t an immediate success, cinematographers appreciated that ARRI listened to... Read more

Virtual Reality Cinema: A New Medium Emerges

VR has arrived, and with it, a new type of filmmaker capable of engaging viewers more deeply with content than ever before

By Robert Powell

Virtual Reality (VR), the next great frontier for film and entertainment, is no longer in a phase of incubation, but rather in its last throes of anonymity. For those unfamiliar with this technology, VR involves wearing a headset that covers your entire field of vision with a screen to envelop the user with dynamic imagery and sound. You may recall... Read more

December 2015

Featuring a Micro Four Thirds sensor with an integrated 13x Leica Dicomar zoom lens, Panasonic has announced the affordable and highly anticipated AG-DVX200PJ.

By The Editors

HEAVY ROTATION With an 8.4-megapixel Super 35-sized CMOS sensor and a Sony E-mount for use with an extensive lineup of compact and interchangeable Sony and Zeiss lenses, the Sony PXW-FS5 XDCAM offers UHD at 24/30 fps, as well as HD at up to 240 fps. The form factor makes it an ideal choice for handholding, while internals provide cinematic features... Read more