Canon EOS 7Ds capture the opening credits of The Tonight Show with Jay Leno
By Neil Matsumoto
When director Pete Conlon of WUT IT IS (www.wutitis.com) met with Mirror Films (mirrorfilms.tv) cinematographer Vasco Nunes (Planet B-Boy, DiG!) to discuss shooting the opening credit sequence for The Tonight Show with Jay Leno, the producers were interested in using one of the latest HD DSLRs, but still needed some convincing. Since Nunes had experience... Read more
With the arrival of file-based capture and 35mm film-sized imagers, Sony updates its SR line
By Kevin H. Martin
Even before the advent of the third millennium, Sony’s entrée into the high-end imaging format, HDCAM, had debuted, along with the HDW-F900 camera. The following decade has brought refinements and innovation. The year 2003 saw the introduction of HDCAM-SR, a Sony tape capable of recording 4:4:4 (RGB) and 4:2:2 (10-bit). The following year, the... Read more
Circumventing the large-scale two-camera and mirrored setups and dual recorders of traditional 3D systems, the soon-to-be-released twin-lens Full HD 3D camcorder from Panasonic uses a single camera head with two lenses and a dual memory card recorder to capture high-definition, three-dimensional video.
By The Editors
Circumventing the large-scale two-camera and mirrored setups and dual recorders of traditional 3D systems, the soon-to-be-released twin-lens Full HD 3D camcorder from Panasonic uses a single camera head with two lenses and a dual memory card recorder to capture high-definition, three-dimensional video. The convergence point... Read more
It’s a simple question, but a fascinating one: What’s out there beyond 1080p?
What should content producers, F/X artists and postproduction individuals know about the future, now that the 1080 high-definition revolution is all but settled? The question of whether technology simply must move into better/faster/smarter forms is a given; it... Read more
Filter manufacturers offer creative choices for cinematographers to create a multitude of effects
By Debra Kaufman
When cinematographer Daryn Okada, ASC, went to a gathering held by Formatt, a U.K.-based filter manufacturer, and Bogen Imaging, its U.S. distributor, he heard the Formatt Filters factory manager Ann Davis ask for ideas for new filters.
Okada had an idea. He had been using the HD Soft filters, which he called “a well-made, fine softening filter,”... Read more
Bringing the highly efficient AVCHD codec to Sony’s line of professional camera offerings, the NXCAM family of camcorders offers a tapeless workflow to productions.
By The Editors
SONY PRO AVCHD
Bringing the highly efficient AVCHD codec to Sony’s line of professional camera offerings, the NXCAM family of camcorders offers a tapeless workflow to productions. Featuring a Sony Exmor CMOS sensor with a ClearVid array, the first camera in the NXCAM series will deliver full 1920×1080 HD in both progressive and interlace, including... Read more
Tips and tools that will help you create cinematic movies with your new video-DSLR camera
by Neil Matsumoto
In the past year, video-DSLR cameras have turned the HD-video industry on its head with hype not seen since the announcement of the RED ONE back in 2006. So what’s all the buzz about? Simply put, it’s all about the sensor. Because of the video-DSLR’s monster-sized sensor, shooters at all levels can now achieve “film-like”... Read more
The Panasonic AG-HMC40 is a compact camcorder that packs a professional punch
By Barry Green
The HMC40 is Panasonic’s latest AVCCAM camcorder, an entry-level professional unit that records in the AVCHD format to regular SDHC memory cards. At a suggested retail price of $2,295 ($1,995 estimated street price), it’s even less expensive than the standard-def Panasonic DVX100B, but it’s jam-packed with features. These include a... Read more
Reminiscent of the technology in Steven Spielberg’s Minority Report, could TAMPER be the new editing interface of the future?
By Dan Brockett
If you attended last year’s Sundance Film Festival, you might have had the opportunity to glimpse at the future of editing. The radical new technology that was on display was in a small booth, presented by a venture-backed developer of a new kind of human/machine interface, Oblong Industries. The promised glimpse of the future was provided by... Read more
In this new era of capturing movies with DSLRs, the Achilles’ heel is definitely sound, with the current crop of video DSLRs all lacking professional sound-recording features. The cameras don’t allow you to manually control sound, nor do they contain XLR inputs for professional microphones. To obtain good sound, many video-DSLR users are... Read more
JVC GY-HM100U and GY-HM700U camcorders capture unique shots for FOX’s 24
By Jeffrey Nielsen
If you were to visit the set of a prime-time network show, you would probably find top-of-the-line digital cinematography cameras or film cameras in use. But some producers and cinematographers find innovative ways to use low-cost equipment, such as on the current season of FOX’s 24, now in production.
The gear in question is JVC’s GY-HM100U... Read more