Let’s take a look at the latest offerings that expand and redefine LED lighting for 2012.
By Dan Brockett
Users have gone LED crazy, and it seems as if the development of new tungsten, fluorescent and HMI lighting has been largely overshadowed by user demand for new forms of LED lighting. LEDs are typically smaller, weigh less, consume less power, give off far less heat, and are greener and more efficient than any other form of lighting used in television... Read more
Demonstrated by Rampart, the line between production and post continues to blur
By The Editors
In 2009, The Messenger brought home two Oscar® nominations, including one for Best Original Screenplay, shared by Alessandro Camon and director Oren Moverman. The film earned plaudits throughout the festival circuit and was recognized as Best First Feature at the Independent Spirit Awards. Moverman’s latest project, Rampart, reunited him with... Read more
A relay mode provides uninterrupted recording, with simultaneous recording to both memory cards for instant backup or a client copy, and a new Pre Rec retro cache feature continuously records and stores up to five seconds of footage in cache memory to prevent missed shots.
By The Editors
With modular components, interchangeable lenses and remote-control operation over interaxial distance and convergence, the Meduza MK1 enables filmmakers to capture single-system 3D in a variety of modes. Eliminating the need for complicated mirror rigs with their gears, cables, cameras and lenses, the base camera unit weighs less than... Read more
Most of us are familiar with the distorted 180° angle of view that a fisheye presents. Similar to the peephole of a door, a foreground subject close to the lens will appear much closer and larger than the background, while the background will curve in an exaggerated distortion. The possibilities of the complete 180º field of view provided by a... Read more
Air Sea Land Productions’ T-Bag helps keep Boardwalk Empire and The Big C dry
By Nicholas Lindner
The 2010 fall season saw two new preeminent Emmy®-nominated cable series open with titles that featured under-water cinematography. Both programs, Showtime’s The Big C and HBO’s Boardwalk Empire, utilized shots that were captured with RED ONE cameras, protected in splashbags conceived in New York City by Air Sea Land (ASL) Productions,... Read more
Many months after the introduction of innovative detachable-lens video cameras like Sony’s NEX-FS100U and Panasonic’s AG-AF100, digital single-lens-reflex cameras like the Canon EOS 5D Mark II and EOS 7D and Nikon’s new D7000 continue to enjoy robust sales among video shooters. Why? Undoubtedly, some of it’s simply economics.... Read more
The Sony NEX-7 with an LA-EA2 mount adapter, which enables much faster phase-detection autofocus.
As the worlds of stills and HD video continue to merge, we’ve seen a number of interesting mirrorless cameras, aka DSLMs (digital single-lens mirrorless), released in the past year. The cameras are so new that a consensus acronym... Read more
HDVP examines numerous tips and tools for creating a professional DSLR workflow
By Skip Ferderber
It’s edging close to the two-year mark since DSLRs were first used on professional motion-picture and TV productions. Back then, it was an open question whether DSLRs could find a home in mainstream production or whether using them constituted a one-off production trial. Equally important was whether the postproduction zeitgeist could easily adapt... Read more
Audio giants THX and Dolby get into the professional monitor business
By Mel Lambert
It’s often surprising, with the best will and intention, how trusting we can become. Through experience, we take it for granted that the color balance, brightness and contrast levels we see on LCD screens fitted to our digital cameras only vaguely match the scenes being imaged. But it can be critically important to determine during a live shoot and... Read more
Known for its fluid heads, OConnor releases innovative DSLR and compact digital camcorder accessories for the professional shooter
By Todd Sali
The OConnor name connotes quality gear, albeit high-end and high-cost, normally supporting large, heavy camera systems where innovation is paramount and cost is relative, thus justified. Drawing on this pedigree, OConnor is a welcome player in the exploding competitive DSLR and midsized digital cinema camera accessory playing field—but do the form... Read more
P+S Technik’s PS-Cam X35 offers high-speed digital shooting
By Dan Brockett
The year 2011 represents an interesting time for narrative filmmakers. Traditional, long-established, film-based workflow has largely given way to the present-day multiple-format/workflow chaos of electronic cinematography where it seems that almost everyone is shooting with a different kind of camera, recording widely varying codecs to different forms... Read more
You’re probably already aware of the many advantages of LED technology, since almost every light released in the past year has been an LED. The energy-efficient lights disperse almost no heat, the higher-quality fixtures are flicker-free and, most importantly, they allow you to dim your light from 100% to 0 with no noticeable color shift. Perhaps... Read more
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