At A Glance: I Can See Clearly Now


A good field monitor is often the best friend a film crew can have. Although an operator is typically looking through the camera’s viewfinder, anyone from a first AC to a director to a script supervisor will check the on-camera field monitor for reference. But if you’re shooting a commercial, a very important person who might occasionally... Read more

Amira Up-Close

Can ARRI’s new doc-style camera capture a new style of nonfiction cinematography?

In the cinematography community, there’s cause for celebration anytime ARRI releases a new camera. Founded in Munich, Germany, by August Arnold and Robert Richter in 1917, ARRI has been on the cutting edge of camera and lighting technology for almost 100 years. Cameras like the ARRIFLEX 16BL, SR, 535 and ARRICAM have been workhorses for cinematographers... Read more

June 2014

The AVC-ULTRA recording module is equipped with two expressP2 card slots and two microP2 card slots.

THIRD-GENERATION VARICAM Panasonic‘s latest VariCam HS updates the historic camera series with 12-bit, 4:4:4 AVC-ULTRA video acquisition, as well as efficient ProRes capture and "rampable" high-speed frame rates that promise slow motion at up to 240 fps in full 1080p resolution. The modular design of the VariCam HS includes a MOS 2⁄3"... Read more

Micro Filmmaking

The new low-budget filmmaking category puts motion capture into the hands of the masses

When the Vine video-sharing app was released in 2013, most people dismissed it as a filmmaking application. After all, Vine’s video quality was lousy because of the heavy compression, and you could only capture six seconds of motion. But in the year since its release, it has become the new "snapshot," with filmmakers and companies using... Read more

Glass Candy

The latest prime and zoom lenses for cinema production

With high-end digital motion-picture cameras being cycled far more frequently, the window on getting a good return on your big investment is becoming increasingly short for cinematographers and filmmakers. With this in mind, having a good set of prime lenses or an all-purpose cine zoom might be a better bet. And now with 4K becoming the dominant capture... Read more

Out Of The Box

Cutting-edge gear that breaks the mold, but not your budget

We all have our "normal," stock-in-trade tools that are used on a daily basis. You know, the camera and support gear you go to for the majority of your projects. But what about when you want to step outside of your comfort zone a bit, to try something a little different? In this article, we highlight technology that was conceived with a different... Read more

At A Glance: Sony DSC-RX10

A supercharged point-and-shoot video camcorder

Do you really need a DSLR nowadays? That’s a question many photographers and video shooters are asking themselves due to the surge of high-quality mirrorless cameras hitting the market, including Sony’s full-frame a7R and Panasonic’s Lumix GH3. Some of the reasons for this surge include the compact size of the cameras due to the lack... Read more

In Their Own Words

Cinematographers discuss their lighting techniques and go-to instruments

Here at HDVideoPro, we talk a lot about the latest digital cameras. But ask any cinematographer—good lighting will always trump a good camera system. With artful lighting that serves the story, a great cinematographer can make a DSLR movie look exponentially superior to a novice filmmaker working with an ALEXA or EPIC. Ask cinematographers about... Read more

At A Glance: Zacuto DSLR Recoil Rig

Convert your DSLR or pro camcorder into an ENG solution

An entire industry has erupted around making video-capable DSLRs more capable for video. The diminutive cameras are ideal for shooting from small areas, but are absolutely uncomfortable for handholding during long takes, as well as difficult to use for fluid camera movements. Zacuto’s DSLR Recoil kit is designed as a shoulder-mount support system... Read more

April 2014

Thanks to large 28-micron pixels, the camera has an extended dynamic range at 12-bit depth per pixel and very high sensitivity, even in low light, with ISO 5000 available for color images and up to ISO 25,000 for monochromatic shots.

SLOW-MO Offering high-speed frame rates of more than 22,000 frames per second at full resolution, the Phantom v2010 promises ultra-high-speed video capture. The v2010 is capable of generating frames of up to 22 gigapixels per second on the custom-designed 1280×800 CMOS 1-megapixel sensor. Thanks to large 28-micron pixels, the camera has an extended... Read more

At A Glance: Squeeze It!

Sorenson Squeeze 9 simplifies the encoding process

Since you spent the time to make sure your project looks great, it’s important to make sure it still looks great when it’s compressed. While many applications let you "export" or "share" your video, they often don’t give you the controls you might need to eke out the best quality. Sorenson Squeeze has long been... Read more

Raw Power

Not much bigger than a smartphone, the Blackmagic Pocket Cinema Camera contains a secret weapon

For two straight years, Australian-based company Blackmagic Design stole the show at NAB. In 2012, the announcement of the Blackmagic Cinema Camera rocked the show floor, with its interchangeable EF mount and the ability to capture 2.5K RAW CinemaDNG and Apple ProRes files for a price less than $3,000. (The current price has come down miraculously to... Read more