A tough, lightweight and powerful strobe/head lighting unit. Oh, and it’s bright yellow.
Chris X Carroll
A four-foot-wide, brilliant yellow snow shovel sat for several years in the corner of my studio. Without exception, men who saw it would get a kind of gleam in the eye and immediately start asking where I got it, how it was to use, and on and on, no matter the season. Oddly, in the three years I wielded it to great acclaim, not a single woman took the... Read more
A look back at some of the best new products we saw at the industry’s leading trade show, a number of which we’ve since had a chance to review hands-on
Canon EOS C700
We’re taking a look back at some of the new products we got to check out at NAB 2017. We’ve since had a chance to review a number of them hands-on since this article appeared in print, so look for the links throughout this article.
The National Association of Broadcasters (NAB) Show in Las Vegas is a massive, sprawling affair each... Read more
How to do more with less for one-man-band and small-crew shoots
Sony a7R II
I recently had a conversation with a videographer who was searching for cases for his lighting kit. When I asked what kinds of lights he wanted to bring on his shoots and what kind of shooting he did, he replied that he was looking for just the right case to hold his ARRI 650w, 300w and 150w Fresnels, as well as two Lowel Rifa lights. In... Read more
How LED technology will grow to new heights for 2017 and beyond
The increasing versatility and dropping production costs of LED lighting panels make them attractive lighting solutions in the broadcast and film industries.
Over the past few years, the tools we use to light for video have changed immensely. Gone are the days of needing heavy, heat-generating and expensive lighting sources for every shoot. The availability... Read more
We made our own 11,200 lumen LED lighting solution that’s lightweight and durable. Check out the how-to video.
We’re always looking for ways to save time and money in the studio, so we set out to see if we could create a low-budget but powerful lighting solution for photography and videography.
After wandering the aisles of the local hardware store, we found materials that allowed us to create our very own studio lighting hack—an 11,200 lumen light that... Read more
The most complicated LED lights I’ve ever used. Is that a good thing? Definitely.
By David Alexander Willis
Light & Motion Stella and Stella Pro LED Lighting System
Promising up to an incredible 12 hours of battery-powered illumination, the Stella family of high-powered LED lights from Light & Motion are bringing a fairly exciting new approach to LED technology. While most current LED systems for filmmaking and video are designed as simulacrums of... Read more
The new mid-power softlight is color-tunable, building on Cineo’s award-winning Maverick line
With optimized output for film, video and still photography, the new mid-power MavX softlight from Cineo Lighting will make its debut at NAB 2017. Building on the award-winning Maverick line, the MavX provides up to 8,000 lumens, delivering the color rendering and output benefits of Remote Phosphor, while giving users the ability to color tune dynamically... Read more
The portable Diva-Lite LED and Select LED lighting solutions feature cine swatch book presets, plus hue and saturation color control
The new Diva-Lite LED and Select LED fixtures from Kino Flo offer new color lighting options for cinematographers, lighting pros and other creatives, providing cine swatch book presets, as well as full hue and saturation color control. With the 2.71 software release, users can preview the full chromatic spectrum by simply turning a dial, or recall favorite... Read more
Tough lights with high-quality rendering are the hallmark of a company concentrating on the energy efficiency and low-heat output of remote phosphor and LED solutions
By David Alexander Willis
The low-heat, high-output and very compact BBS Pipeline Reporter remote phosphor lights, small and portable enough to be hidden in any scene. Photo by David Alexander Willis
You know a product is going to be good when you meet with a lighting company and the first thing they do is knock the bulbs sharply against a table to prove their sturdiness. BBS... Read more
Tools to help you light your production on any budget
By Dan Brockett
Whether you light as a one-man band or work as a director or cinematographer alongside a huge crew, some things are a constant. Take lighting, for example. Effective lighting is both an art and a science. It takes a good eye along with ample imagination and skill—but it also takes knowledge, knowing how to put the correct tools together to help shape... Read more
ARRI introduces the rugged, yet lightweight SkyPanel S60 and S30, bringing ultrabright, high-quality LED lighting to the marketplace
By Jimmy Matlosz
For quite some time now, the LED lighting revolution has been quietly gaining steam. Many cinematographers and gaffers have been willing to test the latest technology over the years, but up until now, using LEDs mostly was relegated to specialty lighting. That all may have changed with ARRI’s new SkyPanel S60 and S30, a versatile family of compact... Read more
A decade ago, no one was talking about the problems of lighting for digital because traditional Tungsten and HMI lights were dominating the market.
By Lisette Rose
A decade ago, no one was talking about the problems of lighting for digital because traditional Tungsten and HMI lights were dominating the market. What a difference a few years can make. Although Tungsten and HMIs are still popular with cinematographers, a new generation of LEDs has flooded the marketplace, as well as sets. Lighting equipment has quickly... Read more