If you’re going to go with a one-man band approach, follow these tips and suggestions
Text & Photography by Daniel Brockett
This shoot pushed the limits of how much gear I could set up and manage solo.
An interesting and significant by-product of the digital revolution is that most of the gear used today to create television and film is now significantly lighter, smaller, less expensive and higher-quality than anyone could have imagined 15 or 20 years ago.
Many of us are... Read more
Litepanels brings forth a 1x1 Gemini bi-color LED softpanel
I evaluated the Gemini 2×1 last year, and I’m a big fan of the light. But relative size, weight (50 pounds, when you factor in the weight of its heavy-duty shipping case) and price ($3,200 each) held me back from buying it.
But those factors aside, I’d be very happy owning the Gemini 2×1 as my primary key source.
To recap, the Gemini 2×1... Read more
A close-up of a drink being mixed lit by two Kamerar Brightcasts.
The Kamerar Brightcast LED panels caught my eye a while ago. I already own other LED panels, like the Aputure Lightstorm LS-1S, and have owned and used quite a few other LED panels from Litepanels, Cool Lights, Arri and others. What I found intriguing about the Kamerar Brightcasts were... Read more
The new Fiilex Q8 Bi-Color LED Fresnel Kit is billed as a high-power light with the ability to focus from spot to flood, flicker-free operation at any frame rate, smooth dimming down to .1 percent intensity, and powerful color controls. The Q8 has a tunable color temperature from 2800K to 6500K, 340W power consumption and output, and a hue control that... Read more
With the Lustra 50, PRL has figured out LEDs so photographers and videographers don’t have to
Last week in Seattle, on Tuesday, when I was writing about dreariness (I called it dreeping), it was three times darker than the solar eclipse. THREE TIMES, and that reminded me to share with you how I’m getting street shots, even on the darkest days.
It’s the Lustra 50 light, and what you need to know is that PRL has figured out affordable high-quality... Read more
A tough, lightweight and powerful strobe/head lighting unit. Oh, and it’s bright yellow.
Chris X Carroll
A four-foot-wide, brilliant yellow snow shovel sat for several years in the corner of my studio. Without exception, men who saw it would get a kind of gleam in the eye and immediately start asking where I got it, how it was to use, and on and on, no matter the season. Oddly, in the three years I wielded it to great acclaim, not a single woman took the... Read more
A look back at some of the best new products we saw at the industry’s leading trade show, a number of which we’ve since had a chance to review hands-on
Canon EOS C700
We’re taking a look back at some of the new products we got to check out at NAB 2017. We’ve since had a chance to review a number of them hands-on since this article appeared in print, so look for the links throughout this article.
The National Association of Broadcasters (NAB) Show in Las Vegas is a massive, sprawling affair each... Read more
How to do more with less for one-man-band and small-crew shoots
Sony a7R II
I recently had a conversation with a videographer who was searching for cases for his lighting kit. When I asked what kinds of lights he wanted to bring on his shoots and what kind of shooting he did, he replied that he was looking for just the right case to hold his ARRI 650w, 300w and 150w Fresnels, as well as two Lowel Rifa lights. In... Read more
How LED technology will grow to new heights for 2017 and beyond
The increasing versatility and dropping production costs of LED lighting panels make them attractive lighting solutions in the broadcast and film industries.
Over the past few years, the tools we use to light for video have changed immensely. Gone are the days of needing heavy, heat-generating and expensive lighting sources for every shoot. The availability... Read more
We made our own 11,200 lumen LED lighting solution that’s lightweight and durable. Check out the how-to video.
We’re always looking for ways to save time and money in the studio, so we set out to see if we could create a low-budget but powerful lighting solution for photography and videography.
After wandering the aisles of the local hardware store, we found materials that allowed us to create our very own studio lighting hack—an 11,200 lumen light that... Read more
The most complicated LED lights I’ve ever used. Is that a good thing? Definitely.
By David Alexander Willis
Light & Motion Stella and Stella Pro LED Lighting System
Promising up to an incredible 12 hours of battery-powered illumination, the Stella family of high-powered LED lights from Light & Motion are bringing a fairly exciting new approach to LED technology. While most current LED systems for filmmaking and video are designed as simulacrums of... Read more
The new mid-power softlight is color-tunable, building on Cineo’s award-winning Maverick line
With optimized output for film, video and still photography, the new mid-power MavX softlight from Cineo Lighting will make its debut at NAB 2017. Building on the award-winning Maverick line, the MavX provides up to 8,000 lumens, delivering the color rendering and output benefits of Remote Phosphor, while giving users the ability to color tune dynamically... Read more
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