If you’re going to go with a one-man band approach, follow these tips and suggestions
Text & Photography by Daniel Brockett
This shoot pushed the limits of how much gear I could set up and manage solo.
An interesting and significant by-product of the digital revolution is that most of the gear used today to create television and film is now significantly lighter, smaller, less expensive and higher-quality than anyone could have imagined 15 or 20 years ago.
Many of us are... Read more
The Fujifilm X-T3 paired with the FUJINON XF16mmF1.4 WR lens.
There have been specific mirrorless cameras that have become popular with DPs and cinematographers shooting on various projects, particularly films that have limited budgets. Sony’s a7R III and Panasonic’s Lumix GH5 and GH5S are among the most notable. But some, like me, have found that... Read more
The C700 was Canon’s bid to introduce a competitor to industry-standard higher-end digital cinema cameras from competitors like Arri, RED, Panavision and Sony. Up until this point, Canon’s sole entry into the high-end digital cinema camera wars was the EOS C500, a camera capable of creating nice 4K imagery but only when hooked up to an external... Read more
Panasonic and Fujifilm pave the way for the future of hybrid cameras
Text & Photography By Daniel Brockett
The Panasonic Lumix DC-GH5s
Panasonic’s latest and greatest hybrid stills/video camera, the Lumix DC–GH5s, has proven to be a capable performer and, ironically, a better video camera than its cousin, the GH5. By dropping back to a lower-resolution sensor, a 10.2-megapixel Micro Four Thirds sensor (about half the resolution of the 20 MP version... Read more
One of the quirky things about language is the way in which a turn of phrase conveys something in one culture yet has a slightly different nuance in another, leaving some things, as they say, lost in translation. When Sony announced its new a7 III at its global launch event in February and proudly proclaimed it to be its “basic model,” the camera... Read moreSponsored
With the ability to capture High Dynamic Range and High Speed Motion, the new 4K camcorders are the best in their class
By David Schloss
Significant technological changes are sweeping through the cinema and broadcast video markets, driven by the ever-increasing consumer demand for high-quality video content and a range of improvements in the delivery and playback of that content.
The HDTV sets that flooded the market in the early 2000s were sold on the promise of more precise, better-looking... Read more
Which is the better Micro Four Thirds camera… the video-centric Panasonic LUMIX GH5 or the photo-centric LUMIX G9?
Two Camera Directions
The LUMIX GH5 is Panasonic’s flagship camera, which now sits alongside the G9 and the GH5S. Last week I compared to the GH5S, and now it’s time to compare the more video-centric GH5 to the more photo-centric G9. Which is the better camera? Actually, the real question is… which is the better camera for you? Both are exciting... Read more
Testing the video quality on this compact, versatile, APS-C travel camera
The Canon G1X Mark III is a compact, affordable APS-C travel camera, and a great all-around in-your-pocket compact camera. While the G1X Mark III is limited to 1080p, the quality of the video is quite good, as shown on this video, featuring footage from Hawaii, Brighton, and beyond.
For a full review of the Canon G1X Mark III, see the comprehensive... Read moreSponsored
Sony's trio of PXW-790V, HXR-NX80, and FDR-AX700 bring best-in-class autofocus to the professional and consumer shooter
The advances in digital video technology over the last decade are nothing short of astounding.
Today’s consumer and professional video cameras have a level of resolution, dynamic range and color fidelity that, just a few short years ago, would have been available only to the upper echelon of Hollywood productions.
One area that has lagged behind... Read more
RED’s WEAPON 6K boasts amazing specs, but what’s it like to work with?
Text & Photography By Dan Brockett
I’ve always been impressed with the RED cinema cameras. It seems as if I’m in good company, with an impressive number of recent and upcoming film and TV projects being shot with RED cameras, as well—you know, productions like Stranger Things 2, Guardians of the Galaxy Vol. 2, Transformers: The Last Knight and Logan Lucky. All you have to do is... Read more
Stepping into the wayback machine, I can recall the excitement I felt when I finally bought my first digital cinema camera, the Canon EOS 5D Mark II. Canon didn’t intend to start the DSLR revolution, but that’s what ended up happening. While I had owned many film and digital video cameras, I had never dreamed that a low-light-sensitive, large-imager,... Read more
For creatives who require top-notch photo quality and high-end video capability in the same body, this is the best option out there
When it was first released, I was so impressed by the photo and video quality of the Sony a7R II that I was willing to look past an enormous list of inconveniences in order to shoot with it. Battery life was terrible, the single card slot was slow, the menu, impenetrable, and the controls were imprecise. Despite that, the a7R II was a clear sign to... Read more
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