Filtering For HD

Filter manufacturers offer creative choices for cinematographers to create a multitude of effects

When cinematographer Daryn Okada, ASC, went to a gathering held by Formatt, a U.K.-based filter manufacturer, and Bogen Imaging, its U.S. distributor, he heard the Formatt Filters factory manager Ann Davis ask for ideas for new filters. Okada had an idea. He had been using the HD Soft filters, which he called “a well-made, fine softening filter,”... Read more

Motion Pictures

Tips and tools that will help you create cinematic movies with your new video-DSLR camera

In the past year, video-DSLR cameras have turned the HD-video industry on its head with hype not seen since the announcement of the RED ONE back in 2006. So what’s all the buzz about? Simply put, it’s all about the sensor. Because of the video-DSLR’s monster-sized sensor, shooters at all levels can now achieve “film-like”... Read more

Encore Cinema

Redrock Micro’s new cinema lens adapter, the M2 Encore, enables video shooters to get that elusive 35mm-film look

With the cost of film and postproduction services (not to mention gear rental), shooting a feature in 35mm film isn’t feasible for most indie filmmakers. But for the vast majority working in digital cinematography, obtaining that "35mm-film look" is their "Holy Grail." So what defines a 35mm-film look, and how does a shooter... Read more

At A Glance: G-Speed eS PRO

A high-speed, big-capacity RAID solution designed for the high demands of video-editing applications

No production crew wants to have to worry about damaged or lost video. From initial capture to final edit, it’s imperative that workflows are failsafe, secure and accessible, and the only way to guarantee that costly reshoots don’t happen is to back up files. The challenge is that video files are big, bulky and difficult to store and transfer,... Read more