Takedown
Director Bennett Miller and cinematographer Greig Fraser, ASC, ACS, expose the world of Olympic wrestling in Foxcatcher

Director Bennett Miller and cinematographer Greig Fraser, ASC, ACS, expose the world of Olympic wrestling in Foxcatcher
Director David Fincher and team implement a 6K workflow using RED EPIC DRAGONs and Adobe CC for Gone Girl
The production crew of Dear White People takes on visual and cultural stereotypes
The production team for Under the Dome creates a unique town
Director Matt Reeves and cinematographer Michael Seresin, BSC, evolve with technology for Dawn of the Planet of the Apes
Cameraman Jake Swantko goes for the first time and leaves wanting more
FX Network’s Fargo is a cable television show that’s shot like a feature film
Rainn Wilson’s SoulPancake explores life’s big questions for the under-40 crowd
Newton Thomas Sigel, ASC, uses ALEXA M cameras to create a 3D “inbetweequel” for X-Men: Days of Future Past
Cinematographer Joel Deutsch sticks to high standards for capturing the web series Caper
Alamo Drafthouse Cinema and Drafthouse Films break the film distribution mold
Shot by cinematographer Jeffrey C. Mygatt, 24 ’s Jack Bauer is back to Live Another Day