Collision Course
Cinematographer Ed Wild brings distinctive lighting to a film set full of high-tech auto gear and extensive car chases in Collide

Cinematographer Ed Wild brings distinctive lighting to a film set full of high-tech auto gear and extensive car chases in Collide
If you’re suffering from comic book overkill, you’re in for a treat watching Gotham on Fox, a sinister city captured in gritty realism by DP Crescenzo Notarile, ASC, AIC
The ARRI ALEXA Plus and the DepthKit supply the tools for the proof-of-concept short MILES, powerful visionary work that earned a huge development deal and a greenlight as a full-length feature
The Sundance Film Festival welcomed the world to Utah once again, continuing its mission to introduce us to a diverse mix of highly entertaining and culturally significant work from around the globe
The 2001 File reveals how Stanley Kubrick exploited the arts and sciences to visualize 2001: A Space Odyssey
A fascination with Charles Manson serves as the backdrop for Manson Family Vacation, an exploration of family and friendship for estranged brothers who go on a creepy adventure following the death of their father
Salvatore Totino, ASC, AIC, tackles Concussion’s tale of sudden impact with the ARRI ALEXA XT
How director Jason Zadaand cinematographer Mattias Troelstrup, DFF, stepped outside their comfort zones and into The Forest
DP Reed Morano, ASC, takes the directorial reins in a gritty exploration of grief and hope in Meadowland
Robert Gantz, ASC, goes with the ARRI ALEXA XT to deliver a true cinematic look for the TV series Limitless