Man Hunt

For Zero Dark Thirty, director Kathryn Bigelow and cinematographer Greig Fraser expose the secret mission to capture Osama bin Laden

By Ian Blair

It’s sad, but true: Women directors rarely get any Oscar® love, but that all changed in 2009 thanks to The Hurt Locker, the Iraq War bomb-squad drama directed by Kathryn Bigelow, when the nail-biting, suspenseful underdog shut out the biggest gorilla in the room, James Cameron’s Avatar, the top-grossing movie in history. Kathryn Bigelow... Read more

SNL’s Digital Evolution

Cinematographer Alex Buono has spent 14 seasons behind the lens with NBC’s Saturday Night Live Film Unit

By Dan Brockett

Saturday Night Live. A weekly network television tradition. An iconic proving ground for generations of top comedic entertainers. The basic format of SNL hasn’t changed much since its debut in 1975: topical humor about what’s happening at the moment. The opening sketch ends with "Live from New York, it’s Saturday Night!"... Read more

To Middle Earth …And Back Again

RED and 3ality Technica help director Peter Jackson bring The Hobbit: An Unexpected Journey to life

By Kevin H. Martin

Filmmaker Peter Jackson fulfilled a longstanding dream when tackling J.R.R. Tolkien’s The Lord of the Rings trilogy, but his greatest achievement wasn’t just a matter of completing the grueling project, or even winning Director and Best Picture Oscars® for the third film in the cycle. Right out of the starting gate, Jackson succeeded where... Read more

Secret Agent Man

Roger Deakins, ASC, BSC, captures Skyfall, the 23rd film in the James Bond spy series

By Kevin H. Martin

For actors playing James Bond, their third outing as Agent 007 usually proves to be the make-or-break effort. After Dr. No and the still remarkably engaging From Russia with Love, Goldfinger became a worldwide breakout hit that well and truly heralded the arrival of Bondmania while proving, as ads proclaimed, “Sean Connery is James Bond.”... Read more

A Modern-Day Odyssey

Filmmaker David Cronenberg discusses the making of Cosmopolis and his views on digital filmmaking

By Ian Blair

Canadian writer-director David Cronenberg has always marched to the beat of his own idiosyncratic drum. Interested in exploring areas where few other directors venture, over the past four decades, he has examined with a clinician’s eye themes of biological horror, physical deformity, emotional terror and sexual unease. Since his first, aptly titled... Read more

Nature Tech

Cinematographer Gregory Wilson pulls off a high-speed cheetah shoot for National Geographic

By Valentina I. Valentini

It began in a pub in 1878, when Eadweard Muybridge decided to settle a score about whether or not a horse is airborne when it gallops. By placing numerous large glass-plate cameras in a line along the edge of a track, the horse triggering the shutters as it passed, Muybridge was able to prove through the first-ever motion picture that a horse is, in... Read more

Flame On

Cinematographer Lisa Wiegand creates a dynamic look for NBC Television’s Chicago Fire

By David Heurig

Dick Wolf’s sterling track record in television gives him carte blanche to dream up and try out new stories. The creator of Law & Order calls his latest, NBC’s Chicago Fire, "a classic, adult, platinum drama." The show is set in a firehouse, but it’s not procedural or "fire of the week," he says. Although firefighting... Read more

Mayday

With the help of Light Iron and the RED EPIC, Don Burgess, ASC, safely lands director Robert Zemeckis’ Flight

By Ian Blair

It’s been quite a while since Oscar®-winning director Robert Zemeckis, who has focused his energy on animated projects over the past decade, has made a live-action film. So this month’s release of Flight, a drama starring Denzel Washington as an airline pilot who avoids a crash, marks a welcome return to live action by the Forrest Gump... Read more

A Boy And His Car — Discussing Drive With Newton Thomas Sigel, ASC

Director Nicolas Winding Refn’s Drive stars Ryan Gosling as getaway man with a heart of gold in an action film packed with car chases, stunts and crashes — Newton Thomas Sigel, ASC, revs up the ’70s-inspired camera action with Cooke S4 primes and Angénieux Optimo lenses the brand-new-at-the-time ARRI Alexa

By Kevin H. Martin

Between the release of The Road Warrior and Mad Max Beyond Thunderdome, director George Miller speculated on the reasons for his postapocalyptic, Outback-based series’ popularity. He suggested that since guns were outlawed in Australia, natives to that land had a tendency to take out their violent impulses on the roadways. But that hardly accounts... Read more

Clarity From Chaos

Audio master Erik Aadahl talks about the art, techniques and gear that give Transformers 3 its distinct sound

By George Petersen

Erik Aadahl is a sound designer and sound-effects editor who has worked on an impressive string of audio-intensive Hollywood action blockbusters, including Transformers 1 and 2, Superman Returns, Daredevil, X2, Valkyrie and Fantastic Four, as well as the recent DreamWorks releases Kung Fu Panda 1 and 2, Monsters vs Aliens, Shrek Forever After and Megamind.... Read more