Off The Road
Shooting with the Nikon D800, writer/director Guillermo Arriaga and cinematographer Janusz Kaminski create a beautiful horror for Broken Night

Shooting with the Nikon D800, writer/director Guillermo Arriaga and cinematographer Janusz Kaminski create a beautiful horror for Broken Night
Menthol comes to life with the help of Kickstarter, the Blackmagic Cinema Camera and digital distribution
Cinematographer Simon Duggan, ACS, displays decadence in three dimensions for Baz Luhrmann’s The Great Gatsby
DP Sean Porter uses filmic techniques to shoot the Sundance digital feature It Felt Like Love
America’s biggest and best film festival tries to remain relevant in a changing industry
In the first of our series of profiles on the new generation of leading creative professionals, HDVP talks with cinematographer Laura Merians about how she layers both practical and VFX into her work
Using RED EPICs and 3ality rigs, cinematographer Newton Thomas Sigel and digital previs company The Third Floor create colossal images for Jack the Giant Slayer
Director/producer David Fincher and DP Eigil Bryld shoot Netflix’s first original series, House of Cards
Director Jonathan Krisel, DP Bryce Fortner and production designer Tyler Robinson bring the city to life