The Man-Machine
A whole new RoboCop stomps the mean streets of future Detroit

A whole new RoboCop stomps the mean streets of future Detroit
With his Canon EOS C300 in tow, indie filmmaker Jeremy Saulnier writes, directs and shoots Cannes and Sundance fave Blue Ruin
Although shot on film, NCIS mixes numerous digital formats to help create a unique action-drama series
Cinematographer Bill Pope, ASC, uses a brash color palette to bring a classic comic strip to the big screen
Ellen Kuras, ASC, makes use of both film and digital to capture codirector Thavisouk Phrasavath and his family’s journey from Laos to America in The Betrayal (Nerakhoon), which was filmed over 23 years
Indie filmmaker Joe Swanberg discusses the ins and outs of low-budget filmmaking
Shot with the Sony F23, Public Enemies re-creates the Depression-era 1930s in modern high-def
Shooting a low-budget feature film with a small HD camera and one light has big challenges, but offers great rewards
Like an Ice Age version of The Wages of Fear, Ice Road Truckers takes HD shooting to the extreme
Comedy Central’s Key and Peele delivers sketch humor with style and economy