Doubling Data And Interlace Info
Shoot extra frames and fix it in post? Plus, interlaced versus progressive is still a thing—tips for when only half the resolution is required!

Shooting charts to communicate with your colorist, plus set-it-and-forget-it won’t cut it for exports
A little more on time-lapse, plus pushing in with 4K capture
Correcting flicker in time-lapse, plus more on working with a colorist
Plus, working with a colorist
Plus, whether to shoot 4K or 2K, and explosion-proof cameras
Or emptying the mailbag
Plus, correcting bad fades, and final mix deliveries
Logging in the field, plus data wrangling
A hue and cry about color?