Exposing Frames

Shutter angles, plus as the big elephant in the room: archival

By Michael Guncheon

SHUTTER ANGLES Q I’ve moved to using cameras that have a more cinema background, but I feel a little insecure about setting up for recording. I have a pretty good handle on how I want to set my exposure, but setting the shutter has been a bit confusing. At first, I thought I understood about changing the shutter setting and getting my brain around... Read more

Feeling Blue

Both ends of the USB Blue Microphones spectrum

By Dan Brockett

Q I work at a small production company. We used to rent time at a local sound studio, but my boss has decided he wants to record our voice-over sessions here, so he has charged me with building a super-low budget, but decent-quality VO studio capability. I have a room that’s pretty quiet with decent sound, but I’d like the capability to... Read more

Making The Match

Creating scene files to match camera looks

By Andy Shipsides

At AbelCine, we produce many scene files for a variety of cameras, each designed to improve both look and performance. We post these files on our website for anyone to try out, which has resulted in a lot of great feedback and many different questions. The most common question we receive is about matching the look of two different camera models. We... Read more

Micro-Filmmaking

How an iPhone app could launch millions of filmmakers

By Neil Matsumoto

It’s often said that the best camera is the camera you have with you, and for most of us, it would be our phone. In the still photography world, camera phones have completely destroyed the point-and-shoot camera market, and for good reason. Many of the new smartphones on the market, such as the iPhone 5 or the Galaxy Nexus 4, contain an 8-megapixel... Read more

Motion Fixes

Fine-tune your image with tracking

By Michael Guncheon

We’re in the business of moving pictures. That seems like an obvious statement, but as I was working with the tracking software mocha for this month’s issue, I was reminded of when I first tried rotoscoping a scene. It was 147 frames long (yes, I remember the number), and I painstakingly worked on each frame to remove an unwanted object. ... Read more

Sense And Sensitivity

Explaining ISO, Exposure Index and gain

By Andy Shipsides

Recently, a client who purchased a Sony PMW-F3 from AbelCine gave me a call with a "quick question." He had just updated his camera with the S-Log recording option and discovered that he now could set his camera’s sensitivity in a number of different ways. He could set the camera’s gain, ISO or, with the S-Log mode turned on,... Read more

Shure FP Wireless Microphone System

A professional, yet affordable wireless sound system

By Dan Brockett

Q I’m shooting a long-term documentary in Angola with a Canon EOS 5D Mark II. Since I’m working alone, a boom mic is out of the question. What do you recommend to obtain decent sound from a moving subject? I’m shooting interviews with several people, but my main subject is a doctor, and I need to follow him as he makes house calls... Read more

GoPro Goes Cinema

Is an inexpensive 4K camera helpful or hurtful?

By Clint Milby

A few years ago, a little company with a little consumer camera made the pro video scene. They showed their wares at NAB and placed them in the hands of a few shooters with massive Twitter audiences. Initially, GoPro was seen as a novelty, a cool little tool that delivered good video and nice stills. Since then, GoPro has upped their game by making... Read more

New Year’s Resolutions

Trying to improve our production and postproduction habits

By Michael Guncheon

Since this is our January/February issue, my thoughts have turned to the new year and, of course, to resolutions. And for once when I say "resolutions," I’m not referring to 4K or 2K. I mean the age-old tradition of turning over new leaves and attempting to improve ourselves. What would a column called Video Assist be without a little... Read more

Future Proofed

Examining the Sound Devices 664 Field Production Mixer and the Sennheiser MKE 600

By Dan Brockett

SOUND DEVICES 664 FIELD PRODUCTION MIXER Q I’m looking to upgrade from my current sound setup of a Zoom H4n and a Shure FP33 mixer. I feel as if I’ve pushed the technology as far as I can and I want to get serious about my location sound gear. I can’t afford top-of-the-line sound gear, but I want a setup that’s as future-proofed... Read more

4K Plug-And-Play

The process of shooting and playing back 4K at home

By Andy Shipsides

At AbelCine, we’re always trying to stay on the cutting edge of technological development in the camera world, so we often get questions about the latest cameras and workflows. Recently, a client asked about playing back 4K footage on his new Sony 4K home theater projector, which he primarily used for HD screenings. Now he wanted to be able to... Read more

Digital Democracy

The dark side of a level playing field

By Neil Matsumoto

With just a few dollars, a would-be (or wannabe) filmmaker can purchase a DSLR for less than $1,000 and a program like Final Cut Pro X for $299, and go on to produce a movie that, if good enough, could be seen at your local multiplex. But what if it isn’t good enough for theatrical release? Just as remarkable, a filmmaker now can upload a movie—minutes... Read more