Q I was lucky enough to get to NAB this year and was happy I did. It was great to be able to get my hands on (or at least see under glass) a bunch of new products. After a while, I started getting overloaded with all the new stuff. Seeing new lighting, new camera rigs, gimbals, drones, batteries and recorders was a bit overwhelming. Did I mention drones?... Read more
Problem: 110º heat? Dust? No A/C in my ’93 Ford Explorer? Nope. My problem was that a beautiful woman had just taken off her tube top and had given it to my naked friend as a "skirt," and I missed the shot. Then the VCR tape melted. The thought "Why am I here?" ran through my head until it got too hot and I had to sit down.... Read more
Many people know AbelCine for the scene files we create for various cameras. Last year, I wrote a column called "Making The Match" (HDVideoPro, April 2013), and I outlined my process for creating matching scene files for various cameras. We received a lot of great feedback on that column and have received even more interest in matching files.... Read more
SENNHEISER SHOTGUN MIC
Q I’m assembling my first serious audio kit, and I’d like some advice about which shotgun could serve as my main boom microphone. I work on a lot of documentaries and travel to shoot them overseas usually, so size, weight and performance are all considerations. My budget is very limited, but I want the best I can... Read more
Anamorphic has been a popular format since its introduction more than 50 years ago. Once associated with epic outdoor action dramas, the anamorphic look is now part of the language of small intimate films to blockbusters and everything in between. There’s even a trend to shoot anamorphic commercials. As the digital camera revolution rolls forward,... Read more
I was working as a camera operator on an OB (Outside Broadcasting) truck for the South African Broadcasting Corporation (S.A.B.C.) at the time this incident took place. The OB truck was a five-crew, two-camera EPG/EFP cube truck-sized vehicle. The team consisted of two engineers, two camera operators and one audio technician. Our OB unit was known as... Read more
Q Is there a standard way of getting log notes into something an editor can use? I’m mostly doing shorter projects, but some are scripted, and I get frustrated because, at the end of the day, when I get my stuff to the person doing the edit, it feels like we’re back in the dark ages, with searching through timecodes to... Read more
Apogee MiC 96k, and output levels for online delivery
By Dan Brockett
APOGEE MiC 96k
Q We recently landed a project that will involve shooting on-location performances with singer/songwriters. I have a Canon C100 camera that has okay audio quality, but I’m looking to step up the quality in regard to microphones and sample rate. We just bought the newest version of Apple’s Logic X, so I’m interested... Read more
In the October 2012 issue of this magazine, I wrote a column called "4K Plug-And-Play" about an AbelCine client who wanted to shoot and play back 4K live. They had purchased a 4K camera and a 4K projector, and wanted to see the output of the camera live. At the time, this presented a complicated and expensive problem to solve. Their camera... Read more
About a year ago, I received a call from a producer who needed a crew for a direct-market commercial. I was referred to him by a gaffer I often work with. The producer felt my specialty in product shooting and direct-market content would be a good match for his needs.
I live in a part of Florida where direct-market content, or infomercials, is shot... Read more
Q I see Thunderbolt becoming more common, but now I see a new Thunderbolt coming out. Is this like FireWire? My experience with going from FireWire to FireWire 800 wasn’t terrible, but not great. It all seemed to be about theoretical performance, but when I would use it, I wasn’t that impressed. Am I going to be disappointed... Read more
Q I recently set up to shoot some interviews and thought about the concept of what framing I should use. Usually, I would just mix up the framing, going from medium to close-up, etc., so that once the footage got into edit they wouldn’t be hampered by jump cuts. But as I set up my gear, I got into a discussion with the... Read more
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.