Short, But Sweet: Proper Data Wrangling

Or emptying the mailbag

By Michael Guncheon

When I compile questions from the Video Assist email inbox, sometimes, I just respond via email because the question can be answered so quickly. I mentioned this to a friend. He said that just because a question has a short answer doesn’t make it any less important. He was right. It got me thinking that some questions others ask may not be ones... Read more

The Rules Of Log Exposure

Explaining the tools of the trade

By Andy Shipsides

Lately, here at AbelCine, it seems like a new camera comes in every week. Technology is evolving very quickly, and we work hard to stay on top of it all, but for a working cinematographer, this can be quite a challenge. Recently, we received the new VariCam 35 and HS cameras from Panasonic and have been doing demos for many DPs. Of course, they all... Read more

Shipping Off – Tascam’s DR-10X

Tascam DR-10X recorder and Lectrosonics LR/LMb wireless mic system

By Dan Brockett

TASCAM DR-10X RECORDER Q I’m trying to save space and weight with my location audio recording gear. I’m considering buying a small handheld digital recorder like the Zoom H4n. This will be for a documentary project where I’ll have to record a lot of ambient sound, but will also need to record lots of on-camera interviews. Because... Read more

Embedded LUTs

Plus, correcting bad fades, and final mix deliveries

By Michael Guncheon

I LOOKED IN AMIRA AND ALL I SAW WERE LUTS Q I noticed that the ARRI AMIRA allows you to embed LUTs into ProRes files. With one project, I knew there wasn’t time to do a full grade, so I thought it might be appropriate to use an embedded LUT. They’re editing using Adobe Premiere. Good idea or not? B.J. Via email A First, I think it should... Read more

Log Jam

Logging in the field, plus data wrangling

By Michael Guncheon

KENNY’S LOGGING Q I’ve been on a few independent productions trying to do whatever I can to help. Since they’ve had no real budget, they’ve welcomed my participation, but I get the feeling I need to do a better job. Recently, I was responsible for taking log notes for use in the edit, but I heard that the notes weren’t... Read more

Ride Like The Wind

The Rycote Cyclone windshield system, plus sound recording with your iPhone

By Dan Brockett

THE RYCOTE CYCLONE WINDSHIELD SYSTEM Q Most of my recording experience is in studios and on stage. I’ll be the sound mixer for an upcoming shoot that will take place in Chicago on and near Lake Michigan. From previous trips to the area, I know it will be windy, and I’m concerned about recording clean sound with a minimum of wind noise—we... Read more

Calibrating Your Display

A hue and cry about color?

By Michael Guncheon

Q I’ve been struggling with trying to get a handle on how things look in various situations. I look at something when I’m shooting and have an idea of what I’m getting, but then things seem to go south once I start editing. When I have the opportunity to use a camera that gives me RAW or some sort of flat output, I still look at the... Read more

Rear-Rejection Sound

Profiling the Sanken CSR-2 mic, plus the Sound Devices 633 mixer/recorder

By Dan Brockett

SANKEN CSR-2 MIC Q I’ve been primarily using Sennheiser microphones, including the MKH 416 and MKH 50, for the past few years as the main mics in my sound-mixing package. I recently landed a new client for whom I’ve been mixing sound on a lot of sports events shoots where we shoot interviews on the sidelines of games at large stadiums.... Read more

A Streamlined Workflow

Copying files, and staying organized in dual-system sound

By Michael Guncheon

WHEN IS A COPY NOT A COPY? Q As I’ve been working up in my skill level, I seem to be trusted more with the day’s files for a shoot. There seem to be certain ways that people think are best for dealing with all of the data. I think I’m pretty good with making multiple copies of each file and making sure those copies are on separate... Read more

Stills To Motion

Translating digital cinema through Photoshop

By Andy Shipsides

We hold a lot of events at AbelCine aimed at helping still photographers move into the world of cinematography. These “Stills To Motion” events are focused on both the art of cinema, as well as the latest camera technology. During a recent event, we were discussing the RAW and Log modes in the Canon EOS C500, as well as the wide cinema gamut... Read more

Around The Campfire

Recording audio for a four-character scene, plus powering small recorders

By Dan Brockett

RECORDING AUDIO FOR A FOUR-CHARACTER SCENE Q I’m working on a low-budget student film. We have two big scenes where four characters will be having a discussion around a campfire. We’re covering the scene with two cameras; one will be a pretty wide shot that contains all four characters, the fire and some of the area around the fire, while... Read more

Audio Options For The Panasonic GH4

Plus, Tascam’s DR-60D as a DSLR audio solution

By Dan Brockett

PANASONIC GH4 & RØDE LAVALIER Q I’m looking for a good wired lavalier for my new Panasonic GH4 camera. Unlike my video cameras, the GH4 doesn’t have XLR connections, and most of the lavaliers I’ve seen that have unbalanced 3.5mm connections aren’t exactly pro-level microphones. This will be for broadcast, and I’ll... Read more