Columns

Self-Storage

Can most common hard drives handle high-def?

By Michael Guncheon
Q What’s going on with storage, and when is it going to get better? It seems like with high definition, the drives that I can get just won’t be able to run fast enough to let me watch my edit. Drives seem to be getting bigger capacities, but they don’t really get faster, in my mind. How can I get my storage to handle HD? Chris C. Via... Read more

The Submission Process

Formats can get tricky for a film festival Technical Director

By C.R. Caillouet
Every two years, I get the chance to survey the world of high-definition formats from a very practical perspective. I’m the Technical Director of the Jackson Hole Wildlife Film Festival, and our festival receives entries for awards from all over the world. Most of the judging is done using DVD submittals, so those are limited to NTSC and PAL DVD video... Read more

Just Checking?

Many standards to choose from

By Michael Guncheon
Q In a previous issue, you were talking about color bars and laying them down on a master tape. I’ve been working at a place that has been getting a lot of different tapes in, and it seems like each one has a different flavor of bars and tone at the beginning of the tape. Aren’t color bars just for setting up machines? Why so many? Stephen... Read more

Closed Captioning, Part II

Captioning in high-def takes more planning than you think

By Michael Guncheon
A picture with another thousand words? The last Video Assist column was the first of a two-part answer where I addressed a question about captioning. I covered some of the issues related to captioning in standard definition because captions in high definition have their foundation rooted in standard definition. Since standard-definition captioning... Read more

Captions, Part 1

A picture with a thousand words?

By Michael Guncheon
Q I’m planning on a high-definition production that I want to be able to market to as many outlets as possible. As I work through budgeting, I’m perplexed by the plethora of options as far as how I’m to deliver my program. While I’m getting a handle on tape formats and online needs, there’s one aspect that I really feel... Read more

Sound And The Video D-SLR, Part 1

In this two-part series, HDVP first takes a look at production audio

By Dan Brockett
The popularity of shooting with HD-capable D-SLR (digital single-lens-reflex) cameras has resulted in a whole new range of audio challenges. In a nutshell, the audio on the new D-SLRs leaves something to be desired. Those in search of killer sound to go with their amazing HD images acquired with these new cameras have some major challenges ahead. PRO-Quality... Read more

Should I Stay Or Should I Go?

Should we keep our original signal intact or convert them, especially in regard to analog to digital

By C.R. Caillouet
Myth: It’s always better to keep signals in the original format rather than convert them. In past columns, I’ve discussed image-format conversion, color-space conversion, video-compression conversion and analog-to-digital conversion. You might get the impression that I hate conversions and that all signals should be retained in the original... Read more
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