Location Sound On The Go

The Tascam DR-40, and international wireless usage

TASCAM DR-40 Q I’m looking for my first portable level digital audio recorder. It will need to operate on batteries or AC power, need to have dual audio XLR inputs and must have decent audio metering. The catch is that my budget is $200. Is there anything out there that I should be looking at? A friend loaned me his Zoom H4n, and I wasn’t... Read more

Say, What?

LTO, Part II, and dealing with sync issues

In my last column, I responded to a question about how to archive all of this data we’re capturing and brought up LTO. As promised, here’s a little more about the flavors of LTO. Prior to LTO, archiving technology was spread across a number of competing and proprietary systems. Many of you have heard of DLT. This is a tape-based system,... Read more

Film Is Dead!

Film Is Dead!

Film is dead! Long live digital! That’s the mantra everyone seems to be spouting these days. Even the most die-hard celluloid lovers admit that even if film isn’t quite dead yet, it’s definitely on life support with digital looking to pull the plug. There’s just one little problem with all of this: The attending physicians (and... Read more
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Lockit Buddy II And Triton FetHead Phantom

Recording external time code, and affordable phantom power

EXTERNAL TIME CODE Q We’re producing a project using five Canon EOS 5D Mark III DSLRs. We’ve already produced several projects utilizing two Canon EOS 5D Mark IIs with a Zoom H4n audio recorder. For this upcoming project, we’ll be recording audio using a Sound Devices 664 audio recorder. The Sound Devices recorder has a built-in time-code... Read more

Exposing Frames

Shutter angles, plus as the big elephant in the room: archival

SHUTTER ANGLES Q I’ve moved to using cameras that have a more cinema background, but I feel a little insecure about setting up for recording. I have a pretty good handle on how I want to set my exposure, but setting the shutter has been a bit confusing. At first, I thought I understood about changing the shutter setting and getting my brain around... Read more

4K In The Mainstream

Is it time?

If you attended NAB this year, you probably thought the 4K conversion already happened. Everywhere you looked was a new 4K camera system, 4K recorder or 4K compatible NLE or workflow solution. In the early ’00s, you probably remember a similar scenario when HD (1920 x 1080 resolution) was being heavily pushed, even though few filmmakers had access... Read more

Getting It White (The First Time)

The importance of proper white balance

At AbelCine, we’re known for our custom scene files and looks. These can be powerful tools for manipulating your image, but oftentimes, getting the best result is all about getting the right white balance in your camera. White balance is one of those adjustments that seems simple but can really make all the difference to your image. I get a variety... Read more

Lavs That Cost Less

Setting a new bar in the price-to-performance ratio

Q I’m a sound mixer for an internal media production group at a nonprofit. I have my own gear for when I freelance, but prefer not to use it at work, as my job doesn’t have the budget to pay me to rent my sound gear. My boss has charged me with locating and purchasing four wired lavalier microphone systems, and I’m stumped, as my own... Read more

Micro-Filmmaking

How an iPhone app could launch millions of filmmakers

It’s often said that the best camera is the camera you have with you, and for most of us, it would be our phone. In the still photography world, camera phones have completely destroyed the point-and-shoot camera market, and for good reason. Many of the new smartphones on the market, such as the iPhone 5 or the Galaxy Nexus 4, contain an 8-megapixel... Read more

Making The Match

Creating scene files to match camera looks

At AbelCine, we produce many scene files for a variety of cameras, each designed to improve both look and performance. We post these files on our website for anyone to try out, which has resulted in a lot of great feedback and many different questions. The most common question we receive is about matching the look of two different camera models. We... Read more