Many years ago, when I first started attending trade shows like NAB and Cine Gear, you always could count on seeing impressive booths from industry-standard companies like Panavision, Kodak and Apple, as well as pro rental houses displaying massive dollies and cranes. But, for me, like many indie filmmakers, the equipment was out of reach, as well as... Read more
At AbelCine, we have a great deal of experience in digital cinema, with a strong focus on optics. Lately, I’ve been fielding a number of questions relating to a lens’ back focus, more accurately described as the lens’ flange focal distance. In this column, I’ll address some of the subtleties of back focus and why it’s so... Read more
Q Can you tell me a bit about room tone? What exactly is room tone, and how is it used typically? Mark W. Via e-mail
A I sometimes refer to room tone as "audio Spackle®." Much like drywall Spackle® is used to patch over the uneven tape seams, nail holes and tears in sheetrock, room tone is recorded by sound mixers on set and... Read more
Q I ran into a situation recently that has me a bit worried. I was shooting double-system sound, which I’ve done many, many times. I heard back from the person who was doing the post, and they were asking for some files that had already been delivered. At first, I thought I must have done something wrong. There does seem to be... Read more
How Rango’s photo-realism is changing the future of movies
By Ian Blair
Misinformation isn’t always unintentional. As Martin Scorsese’s Hugo made lovingly clear, filmmakers have always been magicians and illusionists, expertly blurring the line between reality and fantasy. But while early audiences naively ducked and scattered at the novel sight of a train thundering toward them on the silver screen, audiences... Read more
Recording stereo, and apps for writing sound reports
By Dan Brockett
RECORDING IN STEREO
Q I’m embarking on my first student film and want to record the sound in stereo. Assuming the film will end up mixed in stereo or surround, is this a good idea? Ari R. Via email
A You ask a simple question that actually has a pretty complex answer. Anytime you record or play back stereo signal, you’re creating or re-creating... Read more
Q We all know that when we attach a monitor to a DSLR, the screen on the camera goes black and the image is shown on the monitor. But what if I want the director/producer to see the footage without having to follow the DP around? Is there a way to attach a second monitor and maybe even make it wireless? I’ve been looking around for setups, but... Read more
Does HDR help take the art away from cinematography?
By Neil Matsumoto
One of the most difficult tasks for a director of photography is controlling the contrast range between highlights and shadows. This technique usually separates the good cinematographers from the bad, and oftentimes differentiates the look of film versus video since one of the biggest giveaways for video is blown-out highlights.
So far this year, the... Read more
A film production newbie learns some valuable lessons
By Rick Bittle
For years, I dreamed of being in films, so after the Army, I came into contact with a local FX and stunt coordinator. It wasn’t long before my phone rang with my first job offer. There I was, standing on my first set complete with pyrotechnics, WWII tanks and people barking orders in what might as well have been Latin. My job was easy: I’d... Read more
At a recent AbelCine seminar introducing the new ALEXA Studio camera, I gave a presentation on ARRI’s Look Files and their online LUT generator. Afterwards, several people asked me to describe the difference between a Look File and a LUT. I explained that ARRI’s Look Files were more like Scene Files. It seemed like an easy answer, but it... Read more
Recording sound with iOS devices, plus lavalier mic options
By Dan Brockett
iPHONE/iPOD TOUCH/iPAD SOLUTIONS
Q Is it possible to record professional-level audio with my iPhone? William F. Via email
A I hate to answer a question with a question, but the big one that comes to mind is, "Why?" If you’re asking just to see if it’s possible to do, the answer is yes, it’s possible to record fairly decent-quality... Read more
As part of my responsibilities at AbelCine, I handle a number of technical support questions from our professional clients in the field. Recently, I had two different clients inquire about a "judder" they witnessed in their new cameras. They described a stuttering effect from frame to frame that was visible when shooting 24p. Both believed... Read more
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