Film Editor Jeff Gilbert, ACE, discusses how to define what makes a good edit
By Simon Wakelin
Editor Jeff Gilbert, ACE working at the edit bay in Adobe Premiere Pro on the documentary, “Boys State”
With the Sundance Film Festival 2020 opening today, we decided to take a closer look at the “Boys State” screening in the U.S. Documentary Competition, a work that promises to be a political, coming-of-age film examining the well being... Read more
Here’s a taste of some of the 188 notable feature films premiering
By Simon Wakelin
María Mercedes Coroy and Mara Teln appear in “La Llorona,” a film by Jayro Bustamante, which is also an official selection of the Spotlight program at the 2020 Sundance Film Festival.
Filmmakers, from returning directors to up-and-coming artists, submitted a record of 5,100 submissions this year to Sundance 2020 across its program, with... Read more
Previously, I mentioned that CES isn’t supposed to be called the Consumer Electronics Show. That’s according to the Consumer Technology Association, the entity that puts on the show every year in Las Vegas. It’s now just CES.
I thought about this as I walked the exhibit floors and passed booths showcasing TV displays that are bigger than most... Read more
Every year, I make the trek to the desert to join 170,000 other attendees so I can walk nearly 3 million square feet of exhibits presented by about 4,400 exhibitors at CES, the technology show put on by the Consumer Technology Association. (They don’t call the show the Consumer Electronics Show since not all technology is electronic, I guess.)
It’s... Read more
Standing up for yourself during pre-production conversations
I’ve often joked that projects I work on are never finished, they just run out of time and money. In the past, that was more of a joke, but with the ever-pressing need to produce more and more content with less and less resources, the humor in that statement is somewhat diluted.
The challenge in post is being able to match the edit to everyone’s... Read more
The proxy workflow designed into Adobe’s Premiere Pro is a great way to work when you deal with footage that taxes your computer during playback. When set up properly, a click of a button underneath the source or program monitor windows toggles between normal and proxy playback. Since the original footage is available with a simple click on a button,... Read more
Fujinon just demonstrated their UA 107×8.4 AF Outside Broadcast Lens with Auto Focus at InterBEE 2019, the first box lens with stand-alone AF technology.
The Box Lens Goes Autofocus?
The past couple of years in camera technology have been kind of amazing if you look at the tools we’re now using objectively. One area that has grown in leaps and... Read more
When it comes to firmware and software updates, proceed with caution
Just beware that new Firmware Updates may not always result in your happiness as a user.
Fujifilm recently released a new firmware version for the XT-3 mirrorless camera, V3.10. This new firmware version claims to improve some existing bugs and allows for remote control of the Fujifilm XT-3 via gimbals from DJI and Zhiyun, as well as control when mounting... Read more
When in doubt, it's always best to have a surplus of horsepower than to have not quite enough
As LED Lighting continues to mature, more and more users are searching for LEDs that can replace HMIs.
LED technology for video lighting is in an interesting place right now. I’ve been shooting video and digital cinema with LED lighting now for more than a decade, as many of you have also been. My older Tungsten video lights like my beloved Arri Softbank... Read more
I promised that I’d talk about a better way to make proxies that work. In this case, I refer to a proxy workflow in Adobe’s Premiere Pro that allows you to switch between proxy playback or camera original playback at the click of a button. Flipping to proxy playback reduces load on the computer and helps if you drop frames during playback. If... Read more