When I first started writing this blog about editing, I mentioned that I’ve learned from a number of different editors. I remember one under whom I studied many years ago. I had been working for a while on a scene and I paused, waiting for advice. He just said, “Walk away.”
I looked at him, puzzled, and he just smiled. He then explained that I... Read more
DJI recently introduced the Zenmuse X7, a compact camera with a Super 35mm sensor that’s compatible with the Inspire 2. With the ability to capture up to 6K resolution and an ISO range of 100-25,600, the lightweight and durable camera takes professional aerial cinematography to the next level. Featuring a new DL-Mount aerial lens mount system, the... Read more
Last time I explained a couple of ways to make use of multiple tracks. In essence, they were ways to manage or arrange your footage using the timeline instead of using bins.
This time I’ll talk about using just one track.
When I work with some directors, I do the first cut alone. I look at the shooting notes, watch through all the takes—paying attention... Read more
As a relative newcomer to color grading, I recently had a chance to try out an inexpensive control surface by Tangent called the Ripple. If you’re not familiar with what a control surface is and what it does, think of it as a set of extra controls that give you the ability to dial in more fine detail in your adjustments in grading, editing and audio... Read more
Forget creating scene transitions in post. Check out this neat little trick for creating transitions with your camera.
Forget creating scene transitions in post. This neat little trick demonstrated by Peter McKinnon allows you to create seamless animated transitions with your camera while you’re shooting. Check it out.
Read More → Read more
Informative (and entertaining) reviews of photo and video gear from the last year
The annual Best & Worst show has become a TCSTV tradition, and is always among our most popular shows. 2017 was a fascinating, often confusing year for the photo and video industries, so Chris Niccolls and I debated our list (especially best stills camera of the year) constantly, leading up to the shoot. We decided there was no way for us to cover... Read more
Sometimes I take things for granted. The first Avid I worked on had one level of undo, so I got good at making only one mistake at a time. No, really! Now with multiple layers of undo, I can make lots of mistakes.
I’ve worked on systems that had multiple layers, but you had to indicate which one you wanted to view. There was no top-down compositing... Read more
Interested in making videos for a client? Check out this seven-part video production guide
Interested in making videos for a client? The Film Look offers a seven-part video production guide that covers topics such as how to get the job, what to charge, shooting interviews, choosing music, delivering the video to your client and more. Watch the series below, and you’ll be well on your way to turning your video production skills into a side... Read more
How to choose from a wealth of riches for professional video production
I’m not an editor by trade; I typically don’t make my living editing video for others. In the course of producing content, though, I’m called on, from time to time, to edit pieces. I generally cut shorter-form promotional, training, marketing and corporate pieces. I learned to edit almost 20 years ago on Apple’s Final Cut Pro. Back in the late... Read more
This roundup of “hack” videos offers clever tips and tricks for lighting, camera movement, Premiere Pro and more
Cinecom has a ton of helpful videos focused on commercial video production, so we wanted to share a roundup of “hack” videos. These clever ideas can help speed you up your workflow in Premiere Pro, create interesting camera and lighting movements, and more. Check them out, then get shooting and put them to use!
This video covers editing hacks that... Read more
A look at the video editor’s latest features, including new color capabilities and the new white balance tool
Nearly every Final Cut Pro X user has been waiting for this day for a long, long time. The vastly improved color tools in FCPX are massively welcome, and very exciting! On Friday’s Photo Moment show, I quickly went through the bullet list of new features, then spent some time exploring the new color capabilities, including LUT application (including... Read more
Locking your camera to a dolly on a track allows dreamy smooth moves
Chris X Carroll
The biggest bang for the buck in DSLR moviemaking is an inexpensive slider. There’s nothing like a smooth-as-butter dolly shot (technical term) to bring a layer of professionalism to even the shoddiest production. I, of course, know nothing of this, but I did once hear of a cinematographer who liked his opening dolly shot so much that he used it in... Read more