Sony expands Venice camera capabilities with future firmware updates and unveils new facility as resource for cinematographers
By Terry Sullivan
The Sony Venice full-frame cinema camera in action during Cine Gear Expo 2019, at the Sony booth.
During Cine Gear Expo 2019, Sony announced a new firmware update for its Venice motion-picture camera. It made the announcement at its new production center, which attracted a large crowd, including scores of cinematographers, content creators and photographers.
Firmware... Read more
A look at the new gear and technology on display at Cine Gear Expo 2019
HDVideoPro’s editorial team compiled this Cine Gear Expo 2019: Image Gallery. Throughout the various sections of the Cine Gear Expo show, which took place in Los Angeles from May 30 through June 2, 2019, our teams discovered some exciting new products and exhibits.
The expo was set up in various sections of Paramount Pictures Studios, including... Read more
Terry Sullivan, Editor for HDVideoPro talks with Will Steven about SKB’s high quality cases and storage containers
No matter what size your film project or production is, you still need to protect your cameras, lenses and other equipment when shooting on location. At this year’s Cine Gear Expo, SKB Cases had a variety of cases and storage containers to suit just about any cinematographer. SKB Cases Project Manager Will Steven showed us three models in this video:
For... Read more
Terry Sullivan, Editor of HDVideoPro, talks with Randy Wedick of Band Pro about the Angenieux Optimo Prime cine lenses.
Cinematographers love to come to Cine Gear Expo to see the latest gear from the top manufacturers of cameras and lenses. This year, Band Pro was showing a prototype of its latest partner project, Angenieux Optimo Prime cine lenses, for which Band Pro is a partner and the exclusive distributor in the Americas.
Randy Wedick, the company’s Senior Technical... Read more
Terry Sullivan, Editor for HDVideoPro talks with Tony Wisniewski of Zeiss about cine lenses and the company’s new cinema demo center in Sherman Oaks, California
At this year’s Cine Gear Expo, there were many companies displaying a variety of lenses. A popular stop at the show is the Carl Zeiss booth. It’s where cinematographers could get a close look at the company’s lines of lenses, including the Zeiss Supreme Prime Lenses. Terry Sullivan, Editor of HDVideoPro, got a moment to speak with Tony Wisniewski... Read more
New full-frame LUMIX claims to be the first 6K-resolution video camera
By Terry Sullivan
The new Panasonic LUMIX S1H Full-Frame mirrorless camera
Today at this year’s Cine Gear Expo in Los Angeles, Panasonic announced the third full-frame mirrorless camera in its LUMIX brand, the new Panasonic LUMIX S1H full-frame mirrorless camera. Like the LUMIX S1 and S1R, its brand siblings, the new LUMIX S1H is equipped with a full-frame image sensor.... Read more
Find out about the latest digital tech and production gear for filmmakers
By Terry Sullivan
This year, we’ll again be attending Cine Gear 2019 Expo. The show takes place on the Paramount lot in Hollywood, California from May 30 through June 2. We’ll be there to check out what’s new in the world of digital cinema and production gear. What’s particularly nice about this show is that it’s a focused expo that targets filmmakers, instead... Read more
The question of where editing software is going popped into my mind as I sat through press conferences and demos at NAB. (No, I promised my editor this wasn’t going to be another NAB recap.) Both Blackmagic Design and Adobe introduced new components to their edit software.
It got me thinking about all the editing platforms I have used—and continue... Read more
What does that word mean to you in relation to this crazy industry that we are a part of?
Shooting crazy hours, in rain and in heat, pushing yourself to keep going. Shooting documentaries can be just as tough as scripted production.
Perseverance. A word that has been on my mind quite a bit lately. What does that word mean to you in relation to this crazy industry that we are a part of? To me, it is a watchword for what I do to be in this... Read more
If a lot of TV and features are still being shot handheld, why have we seen such massive popularity in moving your camera with mechanical assistance over the past few years?
A state-of-the-art handheld rig in 2019: The Arri Alexa Mini.
Do you still shoot video handheld? It’s a valid question these days as so many shooters are utilizing gimbals, Steadicam-like devices, sliders and drones. It seems as if the new visual vocabulary demands increasingly growing amounts of camera movement to be considered visually relevant.... Read more
Obviously, because I’m an editor, this final post on NAB has to be about editing. But, first, I want to mention something about a device from Tiffen that helps solve z-axis bouncing on stabilizers.
I’ve cut a lot of material from apparent first-time users of single-handed gimbals like the DJI Ronin-S. If the camera operator isn’t walking properly,... Read more
This continues my recap of my tour through the aisles of NAB. An important topic is where to put all those pixels. 4K, 8K and raw all demand more room. And, critically, they demand better performance.
One way to get more performance from storage is to move from spinning drives to solid state memory. At the Lexar booth, they showed a portable SSD with... Read more