Do you experience dropped frames either from using an underpowered computer or from editing higher resolution files with harder to process codecs? Using proxies for playback while editing can help but getting them to work can be difficult.
I previously talked about a proxy workflow with Adobe’s Premiere Pro. There are a couple of ways to start the... Read more
I’ve gone through several posts on various ways to use proxies and how to make sure that workflow is successful. But, I haven’t talked about using proxies side-by-side with your original footage on an edit workstation.
You might ask, “Why use proxies if the real files are available?” As camera resolution has increased, the load on edit computers... Read more
Much like a modern-day Indiana Jones, join me as I dig through the relics and remnants of production laying around our office
Much like a modern-day Indiana Jones, join me as I dig through the relics and remnants of production laying around our office.
I’ve been doing some straightening and organizing around the office lately. Upon excavating several storage boxes that I haven’t looked through for quite a while, some of them it’s been even years since I have gone... Read more
Previously, I talked about creating proxies to use for remote editing. The original footage remains in one location—not linked to the project—and only the proxies are used. I emphasized that you should make sure that the proxy files are created in such a way that they easily and faultlessly link up with the original footage. You can’t just assume... Read more
A lot of your decisions about when to buy a new camera and which camera to buy should center on the business case
Over the past six months, it’s been a season of new camera releases, each more tempting than the last. The latest crop of mirrorless hybrids and digital cinema cameras present some compelling new features and innovations designed to make shooting more efficient and the output, to me, more impressive.
The past few months have seen several new cameras... Read more
The costs for wireless video systems have steadily fallen while the quality and features have just as steadily climbed
Wireless video has become the latest must-have?
Not sure if you’ve felt that distant or perhaps not-so-distant call yet, the siren song of wireless video? What exactly do we mean when we say wireless video? It’s a somewhat amorphous term in the production world but generally, wireless video transmission is used by either:
A. Assistant Camera... Read more
As I mentioned previously, there are lots of uses for proxies: dailies/client viewing, transcriptions and more. But they’re also used for editing. I’m an editor so proxies for post is what I care most about, and I’ve had both successes and failures with them.
There are several reasons to use proxies in editing. For example, when you don’t... Read more
Previously, I wrote about what can happen when someone asks for proxies without talking about what they’d be used for.
In my example, the proxies were to be used by a transcription service. The issue was file size. With all the uploading and downloading, very small files would have been helpful instead of the 1920×1080 mp4s provided.
However,... Read more
I’ve recently written about proxies and how at times they’re treated like a one-size-fits-all panacea. As capture resolutions keep increasing, file sizes grow, too. Proxies become a way to tackle the enormous amount of data that has to wend its way through the post-production workflow.
But simply asking to “create proxies” without care oftentimes... Read more
The term proxy gets thrown around a lot in this industry. For many, the term is a panacea for everything. “We’ll generate proxies during the shoot…”, “I’ll give you a drive with the proxies…” and “Can they just use the proxies?” are all commonly heard.
It appears people mistakenly think that when they say “I need proxies” they... Read more