This series of videos demonstrates the new features available
Simplifying the process so color grading is easier
Big advances in features despite the small version number change
Are the days of the single-camera shoot over?
Michael Rubenstein is constantly evolving—from photojournalist to advertising photographer to video director. Here’s how.
More Recent Projects
Fred Elmes, ASC, delivers a visual meditation on small town life in Jim Jarmusch’s latest feature Paterson
With three decades of work behind the lens, Nancy Schreiber, ASC, continues to inspire the next generation of DPs
North America’s biggest film festival generated modest sales, positioned titles for awards season and reaffirmed the growing clout of digital platforms in film acquisition
The promise of RAW digital cinema fulfilled
We evaluate the images from the Sony a9 and its autofocus performance
A specialized version of the company’s BeFree tripod line, the BeFree Live includes a special dedicated video tripod head
An Adobe Lightroom rant, but in praise of it
In the world of video editing, there's a big difference between the quality of different formats and how they affect your work.
Do we invest in our existing archives as a potential revenue source, or keep the material but not spend the hundreds of hours it will take to catalog and keyword all of the footage?
From using Steadicam to gimbals to drones, it has never been more effortless to move our cameras so fluidly, but be sure to consider your moving shot thoughtfully
Coming up in the September/October issue, HDVideoPro interviews video director and advertising photographer Michael Rubenstein