HDVP News

Canon Adds EF 70-200MM F/4L II USM And EF 70-200MM F/2.8L IS III USM To EF L-Series Telephoto Zoom Lenses

Canon's new 70-200mm telephoto zoom lenses come with a variety of updates for advanced amateurs and professionals

Panavision Features Millennium DXL2 8K Camera At Cine Gear Expo 2018

The large-format camera with a new post-centric firmware upgrade will be showcased at the Panavision booth

Sony Ramps Up VENICE Cine Camera Features, Adds Tethering – CineGear News

Sony has announced updates to its VENICE full-frame cinema camera at the CineGear trade show, updates that will improve system performance and ergonomics. The company has also announced that they will be bringing high frame rates to the VENICE camera system. Firmware 2.0 The new firmware, version 2.0 adds a number of new “Imager Modes” Read more…

Featured Project

cinematic TV

Changing The TV Rules

Emmy® nominees and winners on creating cinematic television 

More Recent Projects

Michael Rubenstein: A Constant Transition

Michael Rubenstein is constantly evolving—from photojournalist to advertising photographer to video director. Here’s how.

July/August Preview: DP Henry Adebonojo

Coming up in the July/August issue, HDVideoPro interviews the director of photography for the Oscar®-nominated film I Am Not Your Negro

Going Off Camera

With an ongoing television show for DirecTV, where he interviews many of the celebrities he has photographed, Sam Jones is leveraging digital imaging technologies for all they’re worth

Technique

Are You Sure You Want To Move That Camera?

From using Steadicam to gimbals to drones, it has never been more effortless to move our cameras so fluidly, but be sure to consider your moving shot thoughtfully

September/October Preview: Michael Rubenstein

Coming up in the September/October issue, HDVideoPro interviews video director and advertising photographer Michael Rubenstein

HDVP Blog

How To Shoot A Multicam Live Event (With Checklist)

Shooting a multicam live event on your own can be a stressful, complicated task. Follow these guidelines to ensure you don’t miss a thing

When Software Gets In The Way, Part 1

Dealing with auto LUT application in Premiere Pro

Cine Gear Expo 2018 Roundup: What Caught Our Eye

We checked out Cine Gear Expo 2018 to take in what’s new in the world of digital cinema and production gear

CineGear Blog: Zeiss Unleashes 13 “Supreme” High-Speed Prime Cine Lenses

Zeiss has been integral to the history of cinematography, long before digital capture was the dominant production method for motion pictures and video work. At CineGear this year, the company have announced a mind-blowing 13-lens series they’re dubbing “Supreme” that encompass a wide range of focal lengths, and which feature super-fast apertures. The company says Read more…

Gear Spotlight

Sony’s Low-Cost MCX-500 Makes Multi-Cam Streaming Easy

Compact, affordable, the MCX-500 takes the headache out of live broadcast

Latest Gear

Sony a9 Image Samples And Autofocus Review

We evaluate the images from the Sony a9 and its autofocus performance

Hands-On Video Review: Manfrotto BeFree Live Tripod

A specialized version of the company’s BeFree tripod line, the BeFree Live includes a special dedicated video tripod head

Workflow

Red Giant Universe 2.2

To showcase the new features of the GPU-accelerated plugin series for editors and motion graphics artists, Red Giant creates the short film Hewlogram

Final Cut Pro 10.4

A small version number change, a big update for Apple’s legendary video editing tool

Lightroom CC: The Truth Is In The Cloud

An Adobe Lightroom rant, but in praise of it
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