Outside The Box Tools

Cinematographers discuss the sometimes unorthodox tools that help them on set
By Ian Blair
Cinematographers have access to more sophisticated equipment—everything from the latest digital cameras to a wide variety of lenses and lighting—than ever before. And, yet, many still will use an outside-the-box tool to solve a particular filmmaking problem, and that solution can range from the very latest iPhone app to a…

Master Tools

DP Shane Hurlbut, ASC’s new rental company provides DSLR gear to the professional filmmaking community
By Clint Milby
Two years ago, if you were to have asked cinematographer Shane Hurlbut, ASC, if he planned to open a camera rental house in Los Angeles, he probably would have laughed out loud. Nonetheless, it's exactly what he has done. So why would a celebrated cinematographer with more than 20 films…

The Laws Of Motion

For indie filmmakers, camera movement is now a viable option
For indie filmmakers, camera movement is now a viable option
A still image is the capture of a single moment in time, frozen and devoid of any movement except for what may be implied by its content. When the subject is compelling and when the photographer executes the capture just right, what's rendered can be just as powerful as any…


HDVP takes an in-depth look at the popular format and the many misconceptions that come with it
By Michael Guncheon
The HD DSLR revolution started relatively quietly in Cologne, Germany, when people saw the first SLRs that could record HD video. In 2008, at Photokina, both Nikon and Canon showed still cameras that used their Live View function to record video. In the past year, I've been invited to speak…

Small Camera, Big Picture

With the season finale of FOX TV’s House shot entirely with Canon EOS 5D Mark IIs, will more professional productions follow suit?
By Skip Ferderber
What more is there to say about the season finale of FOX TV's House M.D., which is the episode shot entirely on the Canon EOS 5D Mark II HD DSLR? A lot, actually. Oh, not so much on the facts of the production itself. Unless you've been shooting in Mammoth…

Boot Camp

Shane Hurlbut, ASC, and his Elite Team lead the HD-DSLR revolution into battle
By Neil Matsumoto
The call time was 6:30 a.m. Come again? Although quite the norm for film crews, this was strictly foreign territory for a journalist, especially for a camera workshop. But this was no ordinary workshop. This was bootcamp. Starting out as a grip truck driver, director of photography Shane Hurlbut, ASC,…
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