Audio Assist: Lavs That Cost Less
Setting a new bar in the price-to-performance ratio
The Sanken and DPM lavaliers you have in your kit generally cost between $250 and $500, depending on the model, and provide very high-quality sound and great reliability.
Audio Assist: Feeling Blue
Both ends of the USB Blue Microphones spectrum
I One of the first factors in choosing the correct microphone for your needs is deciding which software program you'll be using to record and which device.
Audio Assist: Waves Video Sound Suite
Increasing your sound-editing capability
The sound-editing tools included in my video-editing software package are pretty rudimentary. What do you recommend if I want to take up the audio quality on my editing system a few notches?
Misinformation: The Director Of Sound
For indie film, sound is usually the first department that’s overlooked
It’s perhaps surprising how often sound management is overlooked during independent and low-budget productions.
Audio Assist: Keep It Simple
RØDE’s VideoMic Pro, and recording live events
Like many people this year, I succumbed to the DSLR craze and purchased a new Canon EOS 7D.
Audio Assist: Plug And Play
Sound Devices’ USBPre 2 is a high-resolution, portable hardware interface
I need to do some location recording, and I also want to record a few voice-over sessions with my laptop.
Audio Assist: Intelligent Scoring
Taking library music to the next level
Music and sound effects play a huge part in how your project is perceived by the audience.
Audio Assist: juicedLink DT454
Using professional microphones for your HD DSLR
I record audio with a Tascam DR-100 recorder and match up the audio in post using Singular Software’s PluralEyes.
Audio Assist: The Innovative Sound Mixer
Sound Devices introduces its 552 Production Mixer; a five-channel mixer
I’m thinking about purchasing my first mixer for an upcoming multicamera reality- show project.
Audio Assist: Sound And The Video D-SLR, Part 1
In this two-part series, HDVP first takes a look at production audio
The popularity of shooting with HD-capable D-SLR (digital single-lens-reflex) cameras has resulted in a whole new range of audio challenges.
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