When the RED ONE was released back in 2007 at a price point of $17,500 (body only), it created a whole new market for the production industry.
Many moons ago, when I attended summer camp, the most impressive skills I brought home were tying the bowline and the clove hitch, spinning the nunchaku and flipping open a butterfly knife.
It seems only fitting that a documentary about the unconventional digital and artistic revolution our world has seen come to fruition these last few years would be shot, directed and funded in a most untraditional way.
It's hard to tell what constitutes true independent film today. Is it the budget alone? Does it mean using no-name actors? Or using only off-the-cuff material for the story?
All it took was a casual comment at the major network broadcasters’ upfronts in New York, where writer/producer/director Dean Devlin told a couple of TNT executives that he missed classic television shows like The Rockford Files and
Master storyteller David Fincher proves his penchant for the zeitgeist with his new film The Social Network. ...