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Article: Audio For Hire

With budgets in the video world diminishing, camera operators are being asked to take on the responsibilities of a sound operator, often with disastrous results.

Also labeled: CineSoundPro

Article: Equalizers: June 2013

Featuring six high-bandwidth, low-noise microphone preamps with phantom power in +12V or +48V, as well as limiters, high-pass, pan and direct outputs per channel.

Also labeled: CineSoundPro

Article: Audio Assist: Feeling Blue

I One of the first factors in choosing the correct microphone for your needs is deciding which software program you'll be using to record and which device.

Article: At A glance: Sound Devices PIX 240i

With the ability to output data via HD-SDI or HDMI, video recorders such as Convergent Design's nanoFlash, AJA's Ki Pro Mini and Atomos' Ninja and Samurai have become extremely popular with indie shooters looking to capture higher-quality 4:2:2 files...

Also labeled: At A Glance

Article: May The Sound Be With You

Wars, tragedies, innovations and even music are used by historians to label a generation.

Also labeled: CineSoundPro, Sound Track

Article: The Audio Auteur

Frank Serafine has been at the cutting edge of sound design and the creation of signature audio effects for more than 30 years.

Also labeled: CineSoundPro

Article: News & VUs: April 2012

This year marks the 15th anniversary of VocalBooth.com, a leading supplier of portable, modular sound rooms, studios and recording booths.

Also labeled: CineSoundPro

Article: Compact Field Mixers

Eventually, you may require more flexibility than the two audio inputs on your camera can supply.

Also labeled: CineSoundPro

Article: In The Mix

We caught up with Janiger recently and chatted about the life and role of an independent location sound pro.

Article: Big-Screen Mixing In Small Rooms

Feature-film mixing once was the exclusive domain of huge dubbing stages, with multiple engineers working at gargantuan consoles handling hundreds of dialogue, music and effects tracks for mono, stereo or surround releases.

Also labeled: CineSoundPro, Feature Films

Article: Equalizers: October 2011

The mic preamps are from Roland’s R-44 and offer switchable limiting or bass roll-off.

Also labeled: Gear

Article: Equalizers

The Glyph Triplicator connects to a Mac or PC via eSATA, FireWire or USB, providing a seamless way to simultaneously make multiple identical data copies, and now offers the ability to "remount" a previous Triplicator drive set.

Also labeled: Gear

Article: Shotgun Microphones

Ultradirectional shotgun microphones have been an essential part of capturing audio for film and video for more than a half century, and they have come a long way, baby.

Also labeled: Shotgun Microphone

Article: News & VUs

Combine music, dialogue and effects with bold and innovative cinematography, and the result is far greater than the sum of its parts.

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