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Color Correction & Digital Intermediates

Grading To Extremes

Grading To Extremes

Hollywood DI puts the finishing touches on two indies

Gangsters and horses don't typically go hand in hand, but at Hollywood DI, you can never be sure of what a day's work will entail.

Preserving History Film

Preserving History Film

Blackmagic Design’s tools help revive both old and new films

I would have thought that all of the films that needed repair or restoration would have been repaired or restored by now.

Color Control

Color Control

Cinematographers adopt on-set color-management systems to maintain their original vision

Of all the disasters that can happen on set and on location, perhaps one of the most hair-raising has to do with color.

The Desktop DI, Part II

The Desktop DI, Part II

NLE systems, stand-alone compositors and plug-ins help editors become colorists

Rob Carroll, President & CEO of Cine-tal, a manufacturer of color-calibration software for television and feature-film production, likes to think long-term. “Our business has been through a lot,” he says. “We spent years understanding and improving compression technology.

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