October 2012

Choosing Your Software DAW

A primer to picking these indispensable software packages

Equalizers: October 2012

New Gear To Give You An Edge

News & VUs: October 2012

Useful information sound pros need to know

World Championship Sound

Shaping the audio of boxing on HBO

At A glance: juicedLink RM333

Single-system sound strikes back

by Neil Matsumoto

Audio Assist: All By Myself

A unique USB microphone, and devising a preproduction sound checklist

by Dan Brockett

From Still To Motion

The latest DSLR accessories enhance the next wave of DSLRs

by Neil Matsumoto

October 2012

Slowtime

Despite the ergonomics, Sony serves up another ace with the release of the NEX-FS700U, offering Super Slow Motion and soon-to-be 4K images

by Neil Matsumoto

A Modern-Day Odyssey

Filmmaker David Cronenberg discusses the making of Cosmopolis and his views on digital filmmaking

by Iain Blair

Fair And Unbalanced

Encore and the ARRI ALEXA help DP Todd McMullen create a cinematic look for The Newsroom

Let’s Get Paranoid

Global production company Paranoid creates innovative music vids and spots

by Simon Wakelin

Short Film, Big Vision

Trevin Matcek makes Life Begins at Rewirement for ITVS Futurestates

by Valentina I. Valentini

Data Managers

Codex Digital is streamlining the professional production workflow

by Dan Brockett

Judge And Jury

DNA Films and vfx post house Prime Focus create a brilliant sci-fi look in 3D for Dredd

by Iain Blair

There And Back Again

The Hobbit’s tale of high-frame-rate cinema

by Clint Milby

Help Desk: Serial Digital What?

3G, 4:4:4 and HD-SDI explained

by Andy Shipsides

Misinformation: The Right 8 Bits

What’s two bits between friends?

by Neil Matsumoto

Video Assist: Crossing The Line

HD-SDI cable, and the 180° rule explained

by Michael Guncheon