June 2012

June 2012

CineSoundPro

Equalizers: June 2012

New Gear To Give You An Edge
Intercoms On Set

How to keep in touch with your crew

by Mel Lambert
Lavalier Mics

Small and versatile, lavaliers can get you clean audio in difficult situations

by Mel Lambert
Tremé Time

Bruce Litecky reveals the ins and outs of making HBO Productions’ Tremé sounds so good

by Mel Lambert

At A Glance: Pregrading

Irudis Tonalizer|VFX gets your footage into shape

by Michael Guncheon
At A Glance: Swift JIB50

Fast to set up and easy to carry, the SWIFT JIB50 telescoping jib provides an affordable solution for overhead tracking, panning, tilting and crane-style movements

by David Willis
Audio Assist: Modern Sound Reports

Recording stereo, and apps for writing sound reports

by Dan Brockett
First Look: Back In The Game

Nikon releases the D4 and D800, two DSLRs with much improved features for filmmakers

by Neil Matsumoto
First Look: Blackmagic Cinema Camera

Blackmagic Design launches a revolutionary digital cinema camera

by Neil Matsumoto
June 2012
Scarlet Fever

RED’s modular Scarlet-X delivers 5K stills and 4K motion picture capture—definitely not for amateurs

by Neil Matsumoto
True Cinematic Results

Hands-on with the Canon EOS C300, the ultimate camera for indie filmmakers

by Neil Matsumoto

Back In Black

Director Barry Sonnenfeld returns 15 years after the original for Men in Black III

by Iain Blair
Bad Moon Rising

Fox Digital Studio aims to lead the web video “pack” with Wolfpack of Reseda

by Clint Milby
Digitally Destined

Cinematographer Brett Pawlak and director Destin Cretton showcase a visual sincerity in I Am Not a Hipster

by Valentina I. Valentini
First Love

Cinematographer Robert Yeoman, ASC, discusses his longtime collaboration with director Wes Anderson for Moonrise Kingdom
Shooting Top Shot

Bullets fly and targets explode as reality show meets shooting competition

by Dan Brockett

Up In Smoke

Autodesk’s Smoke is a powerful, all-in-one postproduction application

by Clint Milby

Help Desk: Formats Explained

Raw, Log and uncompressed

by Andy Shipsides
Misinformation: Reality Is Relative

How Rango’s photo-realism is changing the future of movies

by Iain Blair
Video Assist: Lost In Transfer

It’s all in the details

by Michael Guncheon