February 2012

February 2012

CineSoundPro

10 Top Synths For Scoring

Check out these cool new tools for virtual soundtrack creation

by George Petersen
Equalizers: February 2012

New Gear To Give You An Edge
Roland R-26 Recorder

A new multichannel audio recorder for location work

by George Petersen
The Decca Tree Microphone Technique

A 1950s-era application still reigns for film-score recording

by George Petersen
Video And The Radio Star

Solving audio and sync issues in music video production

by George Petersen

At A Glance: Cross Over

The Manfrotto 502 Video Head

by Neil Matsumoto
At A Glance: Hang On To Your EF Lenses

Redrock Micro’s LiveLens MFT

by Neil Matsumoto
Audio Assist: Lost In The Supermarket

Recording sound in a crowded supermarket and other issues

by Dan Brockett
Delivering The Goods

Sony releases the F65, a true 4K camera system that may change the game

by Neil Matsumoto
February 2012
In-Depth Perception

3ality Technica and the Cameron | Pace Group lead the pack for high-end 3D production

by Mel Lambert
Next-Gen Lighting

by Dan Brockett

An Objective Camera Shootout

Zacuto, Kessler Crane and cinematographer Robert Primes, ASC, put the latest single-chip cameras to the test

by Neil Matsumoto
Identity Crisis

DP Bradford Young and director Dee Rees go beyond the comfort zone for Pariah

by Valentina I. Valentini
Immortal Dread

Cinematographer Michael Goi, ASC, brings creepy realism to American Horror Story

by Kevin H. Martin
Still Life

Ron Howard and Bryce Dallas Howard create a short film inspired by stills for Canon’s Project Imagin8ion

by Iain Blair
Winter Light

Cinematographer Jeff Cronenweth, ASC, uses RED ONEs and EPICsto expose The Girl with the Dragon Tattoo

by Iain Blair

Grading To Extremes

Hollywood DI puts the finishing touches on two indies
Place Your Bets!

Sony Vegas Pro 11 offers GPU-accelerated performance, as well as stereoscopic 3D tools

by George Avgerakis

Help Desk: Did I Judder

24p stuttering explained

by Andy Shipsides
Misinformation: New Categories

The RED Scarlet-X vs. the Canon EOS C300

by Neil Matsumoto
Production Takes: Hiding In Plain Sight

How an orange cone almost derailed my career
Video Assist: Optimal Viewing

The Super 35 image sensor

by Michael Guncheon