Home Past Issues February 2011

February 2011


Gear

  • Alexa In The Field

    Three cinematographers working in three different production styles push the new ARRI ALEXA to the limit

    by Pat Reid
  • At A Glance: Camera Angles

    The Canon EOS 60D gives you a new vantage point

    by Neil Matsumoto
  • Data Rules

    As more and more productions go tapeless, have storage drives become the new medium?

    by Iain Blair
  • February 2011

    by The Editors
  • Lipstick Traces

    HDVideoPro examines the latest compact HD POV cameras that can give your production a new perspective

    by Dan Brockett

Display

  • Shoot From The Hip

    Director Mark Pellington gets reckless on his first HD DSLR feature, I Melt with You

    by Clint Milby
  • Technologic

    With sophisticated digital tools, the production team behind TRON: Legacy builds a sequel, bit by bit

    by Kevin H. Martin
  • The Great Outdoors

    Filmmaker/writer Chris Eckstrom and photographer Frans Lanting document the wonders of the natural world

    by Andrew Takeuchi
  • The Lion's Share

    Director Michael Apted and cinematographer Dante Spinotti, ASC, AIC, create a magical world for The Chronicles of Narnia: The Voyage of the Dawn Treader

    by Iain Blair
  • Ultra Sonic

    Sound designer Frank Serafine reflects on his work on the original TRON

Post-Production

  • Posting 3D

    With the box office success of 3D and the rollout of 3D TV to follow, what are your options in post?

    by George Avgerakis

Technique

Technology

  • The Virtual Backlot

    Stargate Studios’ Orbis is a DSLR-based tool that shoots amazing 360º immersive environments

    by Dan Brockett

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