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Past Issues
December 2012
December 2012
CineSoundPro
Equalizers: December 2012
New Gear To Give You An Edge
May The Sound Be With You
Sound designer David Acord brings balance to the soundtrack of The Clone Wars
by Clint Milby
News & VUs: December 2012
Useful information sound pros need to know
Portable Multitrack Digital Recorder
Go-to devices for getting proper audio when you’re working on location
Gear
At A glance: iStockvideo
Cut your budget and recycle footage for profit by exploring the world of stock video sales
At A glance: Sound Devices PIX 240i
A versatile video recorder/monitor that also can record high-quality sound
by Neil Matsumoto
Audio Assist: Future Proofed
Examining the Sound Devices 664 Field Production Mixer and the Sennheiser MKE 600
by Dan Brockett
Breaking The Imaging Barrier
Sensor technology moves from film parody to film parity and beyond
by Dan Brockett
Compact Slo-Mo
Cinematographer Jim Geduldick uses Vision Research’s Phantom Miro to capture action sports
by Iain Blair
December 2012
Heard The News?
JVC releases two forward-thinking camcorders for low-budget filmmakers
by George Avgerakis
Misinformation: Digital Democracy
The dark side of a level playing field
by Neil Matsumoto
The Blackmagic Cinema Camera
Its origins, features and impact
by Neil Matsumoto
Display
Flame On
Cinematographer Lisa Wiegand creates a dynamic look for NBC Television’s Chicago Fire
Mayday
With the help of Light Iron and the RED EPIC, Don Burgess, ASC, safely lands director Robert Zemeckis’ Flight
by Iain Blair
Men Of Action
Bandito Brothers charges forward
by Valentina I. Valentini
Nature Tech
Cinematographer Gregory Wilson pulls off a high-speed cheetah shoot for National Geographic
by Valentina I. Valentini
Secret Agent Man
Roger Deakins, ASC, BSC, captures Skyfall, the 23rd film in the James Bond spy series
by Kevin H. Martin
Post-Production
Cause And FX
Red Giant releases new effects tools targeted at both professional and indie filmmakers
by Neil Matsumoto
Technique
Help Desk: 4K Plug-And-Play
The process of shooting and playing back 4K at home
by Andy Shipsides
Video Assist: The Need For Speed
Getting HD data at 24 and 30 fps can still be an issue
by Michael Guncheon
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