April 2010

April 2010

Gear

April 2010

by The Editors
At A Glance: Panasonic AG-HMR10 Recorder And AG-HCK10 Camera Head

Capturing your own POV

by Neil Matsumoto
Audio Assist: The RØDE NTG-3

More bang for your buck

by Dan Brockett
The SR Evolution

With the arrival of file-based capture and 35mm film-sized imagers, Sony updates its SR line

by Kevin H. Martin

Hipster P.I.

The Arriflex D-21 helps create a cinematic look for HBO’s Bored to Death

by Iain Blair
Miami Vices

CSI: Miami transitions to HD with the addition of the Panavision Genesis

by Simon Wakelin
Sundance Reboot

HDVideoPro reports from this year’s Sundance Film Festival as it seeks to adapt to a changing industry

by Neil Matsumoto

Connect The Dots

From DP to DI, new clues in the postproduction industry signal a paradigm shift

by George Avgerakis
ProRes Version 2.0

Apple releases three new flavors to Final Cut Pro 7’s lossless editing codecs

by Neil Matsumoto

A Do-It-Yourself 3D Roadmap

With 3D currently in the mainstream, is it now possible to create your own 3D independent movie?

by Dan Brockett
Exploring The Sea

Brothers Jean-Jacques and François Mantello shoot underwater 3D IMAX for OceanWorld 3D

by Jeffrey Nielsen
Filtering For HD

Filter manufacturers offer creative choices for cinematographers to create a multitude of effects

by Debra Kaufman
Misinformation: Clean Machine

Does it take a big machine to play back live HD?

by C.R. Caillouet
Production Takes: Jolly Old England

Shooting in a snowstorm in Piccadilly?

by Ron Lindsay
Video Assist: Self-Storage

Can most common hard drives handle high-def?

by Michael Guncheon