Cut The Cord

The Teradek Bolt system lets you wirelessly transmit HD video up to 300 feet

If you’re a director or cinematographer who’s meticulous about the look of your movie (framing, lighting, art direction, etc.), proper monitoring is one of the most important aspects of filmmaking. Before HD, to view shots while not looking through the viewfinder, one had to employ a video tap. The video tap monitor attached to the camera’s... Read more

Visual Velocity

Camera chase car innovations bring speed, agility and control to filmmakers

When you see a motion picture or commercial, often there are sequences that beg you to ask the question, "How did they do that?" Unfortunately, today’s audiences tend to dismiss anything that appears as though it may have taken some daring to achieve as coming from a computer. And although it’s true that action sequences that could... Read more

All-In-One Flexibility

The Canon EOS C500’s multiple formats should have you covered now and into the future

2013 has been the year of 4K, and if you believe all of the marketing hype, you can’t be a serious filmmaker if you’re not shooting 4K. At this year’s NAB, everywhere you went 4K cameras and workflow applications were on full display, making 3D a distant memory. In the past year, Sony introduced a successful new line of 4K cameras... Read more

At A Glance: Cineo TruColor LS LED Light

High-quality color rendition in a compact energy-saving fixture with swappable color temperatures and soft light output

Offering the same features and high color transmission of the TruColor HS LED light in a much more compact and more affordable fixture, the Cineo TruColor LS LED lamphead is roughly equivalent to a soft 1K light source, offering up to 8000 lumens in an even 160º light spread produced from interchangeable polycarbonate phosphor panels. With front dimensions... Read more

October 2013

The LiveText application creates unique HD titles and graphics with vector-based drawing tools, extensive text options and hundreds of preloaded templates.

DESKTOP PRODUCTION STUDIO The newly updated NewTek TriCaster 40 is an entry-level HD live production system where you can mix multiple cameras, video, computer sources, graphics, and custom visuals and titles. Version 2 of the software now offers customizable animated transitions and network-style titles and graphics through the Animation Store Creator,... Read more

The World On Your Shoulder

New ENG cameras from the big three manufacturers reveal convergence and divergence

While ENG camera users have been experiencing fairly incremental product life cycles over the past few years, with small, yet significant updates to their camera platform of choice, colleagues who shoot with cinema-style cameras have been enjoying a wild roller coaster-like journey of innovation. That ride began with the introduction of the RED ONE,... Read more

Canon EOS 70D

Canon’s revolutionary new autofocus system will change the way DSLR filmmakers shoot on the fly

I’ve said this many times, but achieving critical focus is probably the hardest learning curve to master in filmmaking. On a movie set, the person charged with this task is the First AC (aka focus puller), who’s one of the most important people on the set. If he or she makes even a subtle mistake, the shot is ruined, meaning all of your... Read more

At A Glance: The Padcaster

Filmmaking in a frame

If you work in production, iPads have become ubiquitous on set. With its Retina display, the iPad delivers higher than HD resolution (2048×1536) and has become the go-to device to view on-set dailies. Many production professionals also have been using the iPad as a film slate and teleprompter, as well. But for shooting HD video, most believe the... Read more

The Big Leagues

After revolutionizing indie filmmaking with the 5D Mark II, Canon’s Cinema EOS line takes aim at Hollywood

With the unexpected success of the 5D Mark II with cinematographers in 2008, Canon became an overnight sensation with the indie film community. In 2011, they set their sights even higher by targeting Hollywood with the launch of their Cinema EOS Division. At a red carpet event hosted by Martin Scorsese at Paramount Studios, they introduced their first... Read more

Good Things Come In Small Packages

Blackmagic Design’s Pocket Cinema Camera wows the NAB crowd

As a journalist covering NAB, your back is against the wall to see as many manufacturers as possible in a short amount of time. That may seem easy enough, but it’s actually a grueling schedule that goes on nine hours a day for four days. This year, we hit the ground running with Blackmagic Design’s press conference, which took place first... Read more

At A Glance: Tiffen Steadicam Smoothee

Capture smooth moves with your GoPro HERO3 Black Edition

GoPro’s acquisition of video compression and workflow technology company CineForm Inc., made them much more than just a wearable camera company. And with the HERO3 Black Edition’s ability to capture 2.7K in 24p with a RAW-like profile, cinematographers took immediate notice because they were now able to place GoPro action shots into an editing... Read more

August 2013

The Novo 2K is available for rental exclusively at Radiant Images in Los Angeles and via P+S Technik in Europe.

PALM-SIZED RAW 2K Offering an interchangeable lens mount system for PL-, Canon-, Nikon- or C-mount (with 16mm coverage of lenses as wide as 3mm to as long as 200mm) lenses, the diminutive Novo 2K is an incredibly efficient camera head design that builds on Silicon Imaging’s SI-2K camera technology to deliver uncompressed RAW format video. With... Read more
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