Kino Flo Delivers 360-Degree Color System

The portable Diva-Lite LED and Select LED lighting solutions feature cine swatch book presets, plus hue and saturation color control
Kino Flo
The new Diva-Lite LED and Select LED fixtures from Kino Flo offer new color lighting options for cinematographers, lighting pros and other creatives, providing cine swatch book presets, as well as full hue and saturation color control. With the 2.71 software release, users can preview the full chromatic spectrum by simply turning a dial, or recall favorite... Read more

At A Glance: BBS Lighting Pipeline Reporter And 4 Bank

Tough lights with high-quality rendering are the hallmark of a company concentrating on the energy efficiency and low-heat output of remote phosphor and LED solutions
BBS Lighting Pipeline Reporter And 4 Bank
The low-heat, high-output and very compact BBS Pipeline Reporter remote phosphor lights, small and portable enough to be hidden in any scene. Photo by David Alexander Willis You know a product is going to be good when you meet with a lighting company and the first thing they do is knock the bulbs sharply against a table to prove their sturdiness. BBS... Read more

Light It Up: Speaking The Language Of Illumination

Tools to help you light your production on any budget

Whether you light as a one-man band or work as a director or cinematographer alongside a huge crew, some things are a constant. Take lighting, for example. Effective lighting is both an art and a science. It takes a good eye along with ample imagination and skill—but it also takes knowledge, knowing how to put the correct tools together to help shape... Read more

At A Glance: A Real Lighting Game Changer

ARRI introduces the rugged, yet lightweight SkyPanel S60 and S30, bringing ultrabright, high-quality LED lighting to the marketplace

For quite some time now, the LED lighting revolution has been quietly gaining steam. Many cinematographers and gaffers have been willing to test the latest technology over the years, but up until now, using LEDs mostly was relegated to specialty lighting. That all may have changed with ARRI’s new SkyPanel S60 and S30, a versatile family of compact... Read more

Light It Up

A decade ago, no one was talking about the problems of lighting for digital because traditional Tungsten and HMI lights were dominating the market.

A decade ago, no one was talking about the problems of lighting for digital because traditional Tungsten and HMI lights were dominating the market. What a difference a few years can make. Although Tungsten and HMIs are still popular with cinematographers, a new generation of LEDs has flooded the marketplace, as well as sets. Lighting equipment has quickly... Read more

Gimme The Newz

Zylight introduces the Newz, a compact on-camera light designed for broadcast news and run-and-gun shooting

For the past several years, Zylight has been one of the most innovative companies in the film and television LED lighting industry. For ENG and run-and-gun shooters, they just introduced the Newz, a compact on-camera light that contains brightness settings from Tungsten (3200K) to daylight (5600K). The light also has an innovative articulated arm that... Read more

Light It Up

Taking a look at some of the latest lights and lighting tools for your production

A decade ago, no one was talking about the problems of lighting for digital because traditional Tungsten and HMI lights were dominating the market. What a difference a few years can make. Although Tungsten and HMIs are still popular with cinematographers, a new generation of LEDs has flooded the marketplace, as well as sets. Lighting equipment has... Read more

At A Glance: Hive Lighting Bee Plasma Flood

Plasma lighting is an efficient alternative to hard-light systems like HMI and tungsten

Consuming only 276 watts while outputting roughly the equivalent of a 1000W tungsten or 400W HMI, the Bee Plasma Flood is the first open-face model from Hive Lighting, a company rapidly growing in infamy for its line of high-quality plasma lighting solutions. With a high CRI rating of 94 and consistent, flickerless daylight output of 5600K, the Bee... Read more

At A Glance: Hive Lighting Bee Plasma Flood

Consuming only 276 watts while outputting roughly the equivalent of a 1000W tungsten or 400W HMI, the Bee Plasma Flood is the first open-face model from Hive Lighting, a company rapidly growing in infamy for its line of high-quality plasma lighting solutions.

Hive Lighting’s Bee Plasma Flood is an open-face, 276-watt light that outputs the equivalent of a 1000-watt tungsten or a 400-watt HMI. Consuming only 276 watts while outputting roughly the equivalent of a 1000W tungsten or 400W HMI, the Bee Plasma Flood is the first open-face model from Hive Lighting, a company rapidly growing in infamy... Read more

At A Glance: Rotolight Anova EcoFlood V2 LED Lights

A technologically advanced lighting system

LED lights are very interesting as a choice for a primary continuous lighting source. While historically associated with poor lighting and shoddy manufacturing, today the technology has continued to increase in capability to the point where we see numerous LED solutions available for professional image capture. They consume only a fraction of the same... Read more

At A Glance: Manfrotto Spectra LED Lights

Battery-operated LED lights for on-camera use on location or as accent lights in a scene

Manfrotto’s new Spectra family of LED lights is doubly useful as an on-camera light for event and live footage while also serving as very effective battery-operated compact lighting panels that can be hidden easily in a scene for accent lighting or even eye lights. Building on their previous line of Pocket, Mini, Midi and Maxima on-camera LED... Read more

In Their Own Words

Cinematographers discuss their lighting techniques and go-to instruments

Here at HDVideoPro, we talk a lot about the latest digital cameras. But ask any cinematographer—good lighting will always trump a good camera system. With artful lighting that serves the story, a great cinematographer can make a DSLR movie look exponentially superior to a novice filmmaker working with an ALEXA or EPIC. Ask cinematographers about... Read more
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