K-Tek Audio Accessory Bags: The K-Tek Gizmo Bag Set

The $99 Gizmo Bag Set of K-Tek audio accessory bags for small gear like wireless systems, cables, adaptors, transmitters, batteries, lavalieres and more
K-Tek Audio Accessory Bags: The K-Tek Gizmo Bag Set
K-Tek, who made an appearance on my top ten list of best new products at last year’s NAB show, has announced a new set of three Stingray Gizmo Bags for only $99. The bags have see-through designs for sifting through contents without opening as well as transparent lid pockets for quick access to smaller items like memory cards. K-Tek Audio Accessory... Read more

New 624 And 8A MOTU Mobile Audio Mixers

New 624 and 8A MOTU Mobile Audio Mixers: portable and capable sound capture and mixing
New $795 624 and 8A MOTU Mobile Audio Mixers For Production And Live Events
Offering your choice of 32 channels of audio I/O in the MOTU 624 or 34 channels via the MOTU 8A, two new MOTU Mobile Audio Mixers are built for capturing and mixing top shelf analog audio. Inheriting many of the features and audio performance of the flagship 1248 and 16A interfaces, at only $795 per system, the MOTU Mobile Audio Mixers have console-style... Read more

At A Glance: Zoom F8

A multitrack field recorder for location sound that offers value-for-cost performance

I was lucky enough to be invited to the West Coast introduction of the new Zoom F8, an 8-input, 10-track recorder capable of recording a stereo (or 2-track) mix, plus 8 isolated tracks. The F8 is the first product from Japanese audio company Zoom that’s designed to compete with industry-established offerings from high-end pro competitors such as Sound... Read more

The Sounds Of Chaos

Overcoming location audio challenges on the frontlines of production

It’s no secret that location sound is challenging. While the other departments have their own unique obstacles to overcome, it seems that the production sound team is often tasked with capturing clear, dynamic and legible sound in noisy, chaotic situations that seem to make that assignment nearly impossible to complete. Speaking with location sound... Read more

At A Glance: RØDE Stereo VideoMic X

Setting the standard for single-system audio

Although you can capture high-quality images, DSLRs and compact mirrorless cameras were never designed to capture high-quality sound. Their built-in microphones are pretty useless except for capturing scratch audio for dual-system sound. Also, the cameras lack XLR inputs for use with professional mics and their preamps are pretty rudimentary. Since... Read more

Cut The Cord – Wireless Audio Overview

Wireless microphones can add a new dimension to your production

Wireless microphones are ubiquitous. They’re used by broadcasters, corporate video producers, large- and small-venue sound-system owners, filmmakers and just about anyone who has a need to communicate or record audio from a microphone without a cable getting in the way. In the last 60 years, they have changed the way we look at audio challenges... Read more

At A glance: juicedLink RM333

Single-system sound strikes back

For DSLR filmmakers, the biggest obstacle to climb is sound. For young filmmakers who have never touched a frame of film, dual-system sound (where a separate audio recorder is employed) is often a foreign concept. For most, employing audio recorders like the Samson Zoom H4n has been a great and affordable solution in capturing good sound. The major... Read more

At A glance: Sound Devices PIX 240i

A versatile video recorder/monitor that also can record high-quality sound

With the ability to output data via HD-SDI or HDMI, video recorders such as Convergent Design’s nanoFlash, AJA’s Ki Pro Mini and Atomos’ Ninja and Samurai have become extremely popular with indie shooters looking to capture higher-quality 4:2:2 files rather than H.264. Sound Devices, which is primarily known as a high-end audio... Read more

At A glance: TASCAM DP-24

Desktop multitrack recording for live events

The TASCAM DP-24 is the latest flagship Portastudio from the company that pioneered portable multitrack recording over 25 years ago. The TEAC Portastudio 144 was the world’s first four-track recorder based on a standard compact audiocassette tape. When it made its debut in 1979, the TASCAM Portastudio was a revolutionary creative tool. For the... Read more

At A Glance: Sennheiser MKH 8070 And MKH 8060

When it comes to providing rugged, great-sounding audio tools for pro users, Sennheiser is no newcomer, with a history spanning more than six decades.

When it comes to providing rugged, great-sounding audio tools for pro users, Sennheiser is no newcomer, with a history spanning more than six decades. In 1956, the company unveiled the MD 82, the first commercial microphone using the interference tube principle—the basis of the modern shotgun mic. Dubbed the "tele-microphone," it was surprisingly... Read more

The Microphone Grab Bag

There’s no such thing as an "all-around microphone"

One of the major benefits of the digital revolution compared to production 20 or 30 years ago is that with the proliferation of inexpensive cameras, editing gear and software, there also have been huge strides in the variety and types of microphones available. There’s a microphone for every job, and within each of the most popular categories of... Read more

At A Glance: Panasonic AG-HMR10 Recorder And AG-HCK10 Camera Head

Capturing your own POV

For the 2008 Oscar©-winning film Slumdog Millionaire, cinematographer Anthony Dod Mantle needed a camera system that would be small and light enough to chase running children through the crowded streets of Mumbai. For those scenes, he used a Silicon Imaging SI-2K Mini that was wired to MacBook Pro computers stored in a backpack he was wearing.... Read more
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