Next-Gen Lighting
Users have gone LED crazy, and it seems as if the development of new tungsten, fluorescent and HMI lighting has been largely overshadowed by user demand for new forms of LED lighting.
At A glance: Hang On To Your EF Lenses
Redrock Micro’s LiveLens MFT
The Panasonic AG-AF100 was the first large-sensor camcorder to hit the market, and because of its ability to capture full 1920x1080 HD to SD cards, 4⁄3-inch image sensor and relatively low price point ($4,995), the camera quickly became popular with indie filmmakers.
Delivering The Goods
Sony releases the F65, a true 4K camera system that may change the game
In the past year, the ARRI ALEXA and the RED EPIC have been scoring points with some of the best filmmakers in the world, including Martin Scorsese (Hugo), Peter Jackson (The Hobbit: An Unexpected Journey) and David Fincher (The Girl with the Dragon Tattoo).
At A Glance: Cross Over
The Manfrotto 502 Video Head
As we all know, rock-steady shots, as well as smooth pans and tilts, can easily separate your work from the non-pros.
Audio Assist: Lost In The Supermarket
Recording sound in a crowded supermarket and other issues
I'm doing sound on a series of walk-and-talk commercials with a spokesperson that will shoot in a real working supermarket—yes, I know, buzzing refrigerator cases, buzzing fluorescent lights and lots of stuff that we don't want to hear.
February 2012
Canon has announced the entirely new interchangeable-lens digital video Cinema EOS line. Cooke Optics has released 135mm lenses for the 5/i Prime and PANCHRO lens sets.
In-Depth Perception
3ality Technica and the Cameron | Pace Group lead the pack for high-end 3D production
2011 and 2012 give every appearance of being watershed years for 3D production.
Audio Assist: Getting In Sync
Singular Software PluralEyes 2.0 for Final Cut Pro
I've just purchased a new Canon EOS 7D for a film project that I wrote. We're hoping to submit the film to some local film festivals.