SmallHD's New 5-inch Monitor

SmallHD, known for its excellent HD field monitors, announces the 502, the first offering in its new 500 Series of 5-inch Full HD on-camera monitors
By Neil Matsumoto
Often overlooked on the set, proper monitoring is one of the most important aspects of digital filmmaking. Since most cinematographers are creating the look of the film on set, you really need to know what you're capturing, especially in terms of focus. SmallHD has quickly become one of the most…

Samsung NX1 - Easy 4K

With the NX1 and its efficient H.265 codec, Samsung delivers a 4K powerhouse
By Neil Matsumoto
While we're still a long way off from viewing 4K television broadcasts, 4K capture has been a reality for several years, with cameras like the RED EPIC and Sony F55 for high-end features and the Panasonic GH4 and Canon EOS-1D C for indie productions. But with this explosion of cameras,…

Cut The Cord - Wireless Audio Overview

Wireless microphones can add a new dimension to your production
By Bud Osborne
Wireless microphones are ubiquitous. They're used by broadcasters, corporate video producers, large- and small-venue sound-system owners, filmmakers and just about anyone who has a need to communicate or record audio from a microphone without a cable getting in the way. In the last 60 years, they have changed the way…

April 2015

For the 5DS R, Canon eliminated the low-pass filter, which will give you much sharper images.
By The Editors
THE NEW MEDIUM FORMAT Canon U.S.A., Inc., introduced not one, but two 5D DSLRs, the EOS 5DS and EOS 5DS R, which both feature 50.6-megapixel, full-frame CMOS image sensors and Dual DIGIC 6 Image Processors. For the 5DS R, Canon eliminated the low-pass filter, which will give you much sharper…

Flare On

The new ARRI Master Anamorphic Flare Sets give your Master Anamorphic lenses more creativity and control on set
By Neil Matsumoto
It's been a busy few weeks for ARRI, which is looking to make a huge splash at NAB 2015. With the announcement of the ALEXA Mini and ALEXA SXT, ARRI will also be showing their new ARRI Master Anamorphic Flare Sets for their Master Anamorphic lenses. As you probably know,…

At A Glance: RĂ˜DE Stereo VideoMic X

Setting the standard for single-system audio
By Neil Matsumoto
Although you can capture high-quality images, DSLRs and compact mirrorless cameras were never designed to capture high-quality sound. Their built-in microphones are pretty useless except for capturing scratch audio for dual-system sound. Also, the cameras lack XLR inputs for use with professional mics and their preamps are pretty rudimentary. Since…
Page 1 of 33
Subscribe & Save!
International residents, click here.