Posted By Neil Matsumoto
GoPro’s acquisition of video compression and workflow technology company, CineForm Inc., made them much more than just a wearable camera company. And with the HERO3 Black Edition’s ability to capture 2.7K in 24p with a Raw-like profile, cinematographers took immediate notice because they were now able to place GoPro action shots into an editing timeline
Posted By Clint Milby
During the the 11th Anual San Francisco SuperMeet, Jen Rappolt-Noyes of Tiffenon hand to show off their latest application, Dfx Version 3.0. The Dfx Digital Filter Suite simulates specialized lenses, optical lab processes, film grain, extracting color correction as well as natural light and photographic effects. The new Tiffen Dfx Version 3.0 has enhanced, multi-processor
Posted By David Willis
As HDVP editor Neil Matsumoto noted in his first post on our NAB 2011 experience here, the convention and the industry as a whole was able to struggle through the recent economy thanks in large part to the video-capable DSLR revolution. First introduced only a bit more than two years ago with the Nikon D90,
Tags: 2011, af-af100, canon 5d mark ii, Cine DSLR fluid head, cinevate, cyclops dslr viewfinder, Davis & Sanford, dslr rig, ele-ttd, hv filter kit, ikan, k-tek, las vegas, nab, nex-vg10, nexfs100u, nikon d90, norbert, oconnor, Panasonic, proteus simplis, sachtler, shane hurlbut, sony, tabletop dolly, tiffen, vinten, vx7e
Posted By Neil Matsumoto
HD DSLR cameras can provide filmmakers with the opportunity to capture beautiful, cinematic images, but with this new opportunity comes a steep learning curve in learning all aspects of a new camera system, especially in regards to filtration. As most of you already know, to maintain a cinematic look shooting in 24p, you should keep