Posted By Neil Matsumoto
Sony is ramping up their F3 in a big way by releasing new accessories and firmware (some free, some not so free) that will unlock exciting features that will not only make the F3 a powerhouse camera for indie filmmakers, but also a professional studio digital cinema camera as well. By itself, the PMW-F3 is
Posted By Neil Matsumoto
With the release of Panasonic’s AG-AF100 and Sony’s PMW-F3, which both have large sensors to capture cinematic depth of field, we obviously know the effect DSLRs have had on camcorder industry. Although the F3 is an amazing camera, its price point of $16,000 (body only) and $23,000 for a package that includes three Sony-branded prime
Posted By Neil Matsumoto
Happy New Year! 2010 will go down as a landmark year for further leveling the playing field between studio and independent filmmakers. Like in ’09, 2010 was again dominated by HD DSLRs. Although the Canon 5D Mark II made its debut back in ’08, it still continues to transform the production industry in new and
Tags: adobe cs5, canon 5d mark ii, idc system zero, leica summilux c, litepanels sola6, matrox mxo2, panasonic ag-3da1, panasonic ag-af100, red epic, singular software pluraleyes, sony pmw-f3, sony srw-9000pl, zeiss cp.2 lenses
