Posted By Neil Matsumoto
With the release of Panasonic’s AG-AF100 and Sony’s PMW-F3, which both have large sensors to capture cinematic depth of field, we obviously know the effect DSLRs have had on camcorder industry. Although the F3 is an amazing camera, its price point of $16,000 (body only) and $23,000 for a package that includes three Sony-branded prime
Posted By Neil Matsumoto
From CineTechnica, which is Abel Cine Tech‘s technical blog, filmmaker and occasional HDVideoPro contributor Noah Kadner gives us one of the first reviews of the new Panasonic AG-AF100. The AF100 is the first prosumer camcorder that employs a large sensor–micro 4/3s in Panasonic’s case–and the ability to use DSLR lenses with all of the benefits
Posted By Neil Matsumoto
Happy New Year! 2010 will go down as a landmark year for further leveling the playing field between studio and independent filmmakers. Like in ’09, 2010 was again dominated by HD DSLRs. Although the Canon 5D Mark II made its debut back in ’08, it still continues to transform the production industry in new and
Tags: adobe cs5, canon 5d mark ii, idc system zero, leica summilux c, litepanels sola6, matrox mxo2, panasonic ag-3da1, panasonic ag-af100, red epic, singular software pluraleyes, sony pmw-f3, sony srw-9000pl, zeiss cp.2 lenses
