Posted By Neil Matsumoto
Just walking around NAB‘s Central Hall last week, one of the first things I noticed was the changing form factor of many of the motion picture cameras showcased on the floor. I find it ironic that even though DSLRs aren’t taken serious by a lot of professional shooters, it seems that the camera manufacturers are
Posted By Neil Matsumoto
Band Pro Film & Digital, renowned pioneers of digital cinematography equipment including the ultra-high resolution Leica Summilux-C PL mount lenses, and RED Digital Cinema, groundbreaking developers of RED cameras including the RED EPIC, announce a joint sales and marketing agreement that provides RED EPIC and Leica Summilux-C™ lens packages for sale. Under the arrangement, Band
Posted By Neil Matsumoto
Happy New Year! 2010 will go down as a landmark year for further leveling the playing field between studio and independent filmmakers. Like in ’09, 2010 was again dominated by HD DSLRs. Although the Canon 5D Mark II made its debut back in ’08, it still continues to transform the production industry in new and
Tags: adobe cs5, canon 5d mark ii, idc system zero, leica summilux c, litepanels sola6, matrox mxo2, panasonic ag-3da1, panasonic ag-af100, red epic, singular software pluraleyes, sony pmw-f3, sony srw-9000pl, zeiss cp.2 lenses
