Posted By Clint Milby
Blackmagic Design uleashed a campaign of “shock and awe” with the announcement of not just one but two cameras at
Tags: 6G-SDI, Apple ProRes, Blackmagic, blackmagic cinema camera, blackmagic design, Blackmagic Production Camera 4K, CinemaDNG RAW, Clint Milby, ef mount, Kendall Eckman, ProRes 422, Ultra HD
Posted By Clint Milby
At NAB 2013, Blackmagic Design offered two big suprises, and while the Blackmagic Production Camera 4K was a surprise, the Blackmagic Pocket Cinema Camera was the show stopper. We’re still reeling from the implications of this tiny titan, and how it may shape the future of our industry. Let’s start by pointing this out: this
Tags: 6G-SDI, Apple ProRes, Blackmagic, blackmagic cinema camera, blackmagic design, Blackmagic Pocket Cinema Camera, Blackmagic Production Camera 4K, CinemaDNG RAW, Clint Milby, ef mount, Kendall Eckman, ProRes 422, Ultra HD
Posted By David Willis
Historic lens maker Carl Zeiss has announced a new super wide angle lens for Canon EF and Nikon F mount cameras, which includes the video-capable DSLRs from both companies. The Distagon T* 2.8/15 lens offers an extremely wide 110º angle of view on full frame cameras, ideal for exaggerated views, landscape work and architectural or city
