Posted By Neil Matsumoto
In a landmark year for production and post-production gear, 2011 will most likely be remembered for the tragic events in Northern Japan. Although minor compared to the devastation and loss of life, all the major camera manufacturers (Sony, Canon, Panasonic, etc.) were greatly affected by the disaster leaving factories badly damaged, which disrupted production and
Tags: adobe cs5.5, angenieux optimo 45-120, arri alexa, canon c300, convergent design gemini 4:4:4, iphone 4s, red epic, red scarlet-x, sony f3, sony f65, technicolor cinestyle, thunderbolt, zacuto z-finder evf pro
Posted By Neil Matsumoto
Since you’re reading this online, you’re probably well aware of the sorry state of print newspapers. Going along with this trend, The New York Times is coming up with creative ways to add eyeballs to its website by offering content you just can’t get from print. Just in time for awards season, The New York
Posted By Neil Matsumoto
Right before its launch at IBC in Amsterdam this weekend, Sony Electronics debuted its new flagship CineAlta high-def camera – the F65. Just on specs alone, the camera will set a new standard for high-end digital cinema camera systems. The F65 delivers true 4K resolution at 4025 x 2160 and can output 16-bit Linear RAW
Posted By Neil Matsumoto
(July 7th 2011, Munich) – ARRI has released the latest software update for its ALEXA camera system. The ALEXA Software Update Packet (SUP) 4.0 provides a number of new features and improvements for both the ALEXA and ALEXA Plus models, based on ARRI’s ongoing R&D as well as feedback from film and television professionals working
Posted By Neil Matsumoto
On their YouTube channel, ARRI just posted a slick new spot for Emporio Armani‘s Diamond Perfume that was shot with ALEXA. Shot in contrasty black-and-white by cinematographer David Nissen (directed by Paul Mignon), the video showcases a hip young couple in a Paris nightclub. Things get a little too hot and when the couple share
