Posted By Neil Matsumoto
It goes without saying that the production industry has seen some significant changes in the past couple of years. Disruptive camera technology (RED ONE, Canon 5D Mark II, etc.) has created a new industry in which low-budget filmmakers can now compete with studios in delivering a professional looking film. The post-production industry is no different
Posted By Neil Matsumoto
With its release, Final Cut Pro X was widely panned by the professional editing community, who have been leaving their beloved editing system in droves. For most pros, FCP X had the look and feel more in line with iMovie or iPhoto than a professional NLE system. Because of this, Adobe and Avid have been stealing
Posted By Clint Milby
Adobe’s Ellen Wixted Gives Us The Ins and Outs of CS5.5 Production Premium One of the highlights of NAB 2011 for me was having an opportunity to sit down with Sr. Product Manager for Adobe CS5.5 Production Premium and Adobe Audition, Ellen Wixted
Posted By Clint Milby
On Monday at NAB, the amazing people at Adobe arranged for me to meet with the project manager for Premiere CS5.5, Al Mooney, who very graciously took some time to enlighten me on what people can expect from this upgrade. I was a bit skeptical going into the interview, as many times software upgrades that
Posted By Neil Matsumoto
Adobe recently posted an great video on how director David Fincher (The Curious Case of Benjamin Button, Zodiac) used Adobe’s Creative Suite Production Premium on his latest movie, The Social Network. Tyler Nelson, Assistant Editor on The Social Network, explains how he conformed the film in After Effects. He took the edit from Final Cut
